Book, Bell, and Blade: The First Pages

This post is part of a series, though it need not be read in whole or in order. You can read the first post here. You can find the rest of the posts here.


You have found your book. You love your book. You have, on the frontispiece or just behind it, written something – anything – to begin the book and begin to make it a beautiful tool that you will use, not a useless treasure you will horde.

Now, it is time to scribe the true first real pages.

Here, I will speak less of what you should do and more of what I have done.

I bought my book as a birthday present for myself in November of 2019. I had been walking by it (or, more accurately, a series of identical books that passed through) as I came in to and left the New Age store where I was working for several years. I pined after the pretty leatherbound journals, especially the really big ones, but that year I made a pact with myself that I would only buy it if I were actually going to use it, and if I were actually going to use it that meant I had to know, from the jump, that I was going to fuck it up along the way.

The purpose of my book was – is – to serve as a cord to bind my art, my witchcraft, and my astrological magic together. On the fourth and fifth pages, just behind Mirrors and Veils and Proclus, I copied the Stele of Jeu, a ritual which I was re-integrating into my practice at the time, and which I have performed more than any other ritual inscribed into my book since.

Then I picked out several sections of the book and made chapter pages for each of the seven traditional planets, taking up less than half of the book but relatively in the middle, because it was already my plan to draw Triangles of Art in each of those sections, pre-marked with the relevant planetary and Olympic spirit sigils and Orphic hymns, and while I wanted the planetary work to take up less than half of the book, I wanted to give each planetary section room to grow, and for the book to lay relatively flat when I did so.

Then I took a class on the Greek Magical Papyri, and began transcribing spells from that collection into the book. I decided that divination went at the front, and certain other things went at the back. I added a section for work with the fixed stars and constellations.

Then, almost a year after I had begun my book, I added the pages that eventually became the new focus of my daily practice. I was travelling, away from my altar, and wanted something to focus my daily offerings to my familiar spirits. I drew a triangle, and transcribed the seals of each of my familiars onto it. At first, I only used that page when I was travelling. But as my talisman creation provided me with more and more familiars, those offerings overtook my planetary practice.

So, as you begin filling in your pages, consider first what parts of your practice you wish to emphasize and double-down on as you begin the work of the Book, Bell, and Blade.


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