My Ever-Evolving Altar–or–Attack of the Killer Zodiac

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I actually never got a picture of the last incarnation of my altar.  This is what it looked like before I took down my separate Samhain altar-which was taking up too much of the very little space I had available-and incorporated the two.

Now my altar looks like this:

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Note the conspicuous absence of my zodiac poster, which has served as my wheel of the year.  This morning, while I was moving the two-liter of mead which will serve as my holy water, the zodiac poster pitched off and crashed right in the middle of the lowest table.  Somehow, it did this without nocking the quartz and amethyst off the top.  The poster did knock off the horned god mask and cross … yet, somehow, neither suffered any real damage.  The mask has a slight chip on the bottom; the cross is untouched.  Even the geode right in front of the cross was undamaged.

There were a lot of delicate things on the surface where the poster landed were largely untouched: an impossibly delicate perfume bottle that has somehow survived on my altar for the last fifteen years miraculously survived this experience, though the stopper was flung halfway across the table.

Only three things, in fact, were broken: the candle holders for my Earth and Water candles, and the plastic poster frame itself, which looks like someone punched it in the very center.

There are a few different ways for me to read this somewhat surreal experience:

1) I knocked the poster over without realizing I’d even touched it, and through miraculous intervention nothing of real value was lost.

2) Someone on my altar needs more attention.  Candidates include (from left to right, top to bottom) the Horned God Mask, the Death Mask, Dionysos, Hephaistos, Kouros, Cyclades, Rhea, and Sue.

3) Someone not yet on my altar needs more attention.  Candidates include (in no particular order) Iris, Apollo, and Mercury, to say nothing of the multitudinous gods and spirits who may not have introduced themselves to me by name.

4) The altar itself is feeling unloved, and wants a hardcore cleaning.

5) None of the above.  Something that never even crossed my mind.

For the moment, I intend to simultaneously act on possibilities 1 and 4.  Until someone informs me otherwise.

Annual Reading part 1/2

For the last several years I have performed or received a massive Tarot reading whose purpose is to give me some idea how the coming year will pan out.  This year’s reading is … less auspicious than those previous.

Two years ago, this annual divination was part of what gave me the courage to leave my mall bench in favor of full-time school.  Last year, it gave some indication of how my transitionary process would go.

This year … well, it looks like I’ve got some rough times up ahead.  My annual reading consists of two parts: an inner circle laid out with the Crowley-Harris Thoth deck in a slightly modified version of the Twelve Houses spread, giving me a thematic view of the year; and an outer circle laid out with the Robin Wood deck, giving me a chronological view.

THEMATIC VIEW

1st House – general outlook – 10 Wands “Oppression” – fix with IX the Hermit

10W—Blocked development, problems with authority, fear of life, “straightjacket”. Encourages recognizing one’s limitations and acting responsibly. Warns against demonstrations of power, intolerance, and suppressed aggressions.

IX—Contemplating what is essential, defining one’s position, seclusion, seriousness, retreat, getting to the bottom of things, life experience. Encourages letting something mature, taking oneself seriously. Warns against embitterment, cranky solitary ways, unworldliness. As card for the year: advises using the coming phase to think about life and what one wants out of it. Periods of retreat and isolation may be necessary and even for the good, but one should do so in moderation.

This is not a good way to view the world. I’m going to feel like I’m being blocked by the cock of the universe, and the worst possible reaction is going to be to start flailing my own cock around in response. The Hermit clarifies what 10W encourages: keep my zen, take these struggles as lessons, and maintain a proper balance between my inner and outer worlds.

2nd House – finances & communication – XV the Devil

Shadows, instinctiveness, lack of moderation, greed, thirst for temptation, unconscious forces. Prohibited activities, exploitation, intrigues & shady dealings. Encourages bringing light into darkness. Warns against the destructiveness of natural drives which have been suppressed.

This card in this place speaks less about circumstances and more about decisions. I’m going to be strongly tempted to either make very foolish decisions with my money … or possibly to do very bad things to get my hands on more. Given my ceremonial experiments and some of the other things that have been going on in my life, I think that the latter is much more likely that it would have been a year ago.

Hexes? Love philters? Evicting relatively harmless ghosts? Can’t say I won’t ever be tempted to do these things. Money is only a tool, but it’s a damn handy one at times.

3rd House – daily experiences & immediate influences – 8 Cups “Indolence” – fix with VII Adjustment

8C—Weakness, broken hopes, disheartenment, resignation, necessity of changing one’s ways, stagnation, depression. Recognizing personal responsibility. Encourages leaving the disastrous morass. Warns against clinging to what has decayed or starting something with no prospects of success.

VII—Objectivity, clarity, balance, justice, karma, sober perception, personal responsibility, self-criticism. Recognizing personal responsibility. Encourages viewing things objectively and soberly as well as recognizing one’s personal responsibility in it. Warns against becoming unable to act after too much careful consideration.

You’ll notice a repeated phrase between these cards: “personal responsibility”. And both cards connect solidly with the undying theme of the House: immediate influence and experiences. These things tell me that the key to surviving the coming year is to keep my perspective and to never blame my situation—or, at least, to be deeply skeptical of seeking solutions—outside of myself.

4th House – home-place & family – 2 Wands “Dominion”

Eagerness to fight, courage, willingness to take risks, willpower, becoming inflamed about something, spontaneous assertion, violent forging ahead, inconsideration. Encourages risking something, asserting something, conquering something. Warns against inconsiderate aggressiveness, destructive actions, and hollow demonstrations of power.

This is my second warning against “demonstrations of power”, and that makes me nervous.

5th House – fun & pleasure – X Fortune

Changes, shift, new beginnings, happiness, fateful events, task in life. Encourages recognizing one’s destiny and shaping as the task in life. Warns against fatalistic resignation.

Not really sure how to process this card in this House, unless one interprets “fun” as “lover(s)”, in which case it’s still a little out-of-place.

6th House – work, illness, & duty – XIV Art

Finding the right proportions. balance of powers, harmony, relaxation, overcoming differences, healing. Resolving conflicts, joyful and productive teamwork, making progress, dissolving contradictions and resistance, finding the balance between work and leisure time. Encourages giving one’s best to overcome contradictions or differences. Warns against underestimating the difficulty of a plan or the depths of a problem. As card of the year: “This is the year of the great work…”

Given that my greatest problem so far this year has been achieving a balance between various passions and obligations, I find it no surprise that it will be a major feature of next year as well. School, sleep, socialization, magic, working for money … I’m struggling to juggle all these things, and it’s already overwhelming. I either need to get a whole lot better at juggling, or start giving things up.

7th House – partnership – 3 Swords “Sorrow” – fix with XI Lust

3S—Bad news, disappointment, weakness, sorrow, helplessness, chaos, disillusionment, renunciation, loss. Pangs of love, fear of loss, injuries, end of relationship, failed hope. Encourages opening up to an unwelcome but totally necessary insight. Warns against wishful thinking that inevitably leads to disappointment.

XI—Courage, vitality, love of life, strength, passion, intrepidity. Powerful relationship, passionate connection, fascination, sexual debauchery, excess. Encourages passionate devotion to a person, a task, an experience. Warns against just following the pleasure principle and trampling on other people’s feelings.

“Sorrow” isn’t quite the worst card one can get in the 7th House, but it’s definitely one whose meaning is relatively easy to interpret. For those who work exclusively with Crowley: the 3S in more traditional (Waite-Smith) decks is an image of a heart pierced by three swords. There’s actually a lot going on with the three of swords, but particularly in terms of romance … well, long story short: heartbreak and drama. Given the realities of my situation – nine or ten years older than most of my peers, the nymph who’s been keeping me company so far graduating in May, and the strangely fragile and puritanical/performative nature of the sexual culture on campus, among so many other things (and as I write this paragraph I realize that I’ve started writing some of my personal journal entries with an eye to posting them on this blog) – this is hardly a surprise.

What is surprising is the solution. Fix the 3 of Swords with XI Lust? Is that best read as “power through”? Share the love? Fuck ’em ALL? I think that only time will tell, but I’m pretty good at Lusting, so I suspect that I’ll pull through better than most.

8th House – hidden, taboo, & crisis – Knight of Disks

Firmness, sobriety, persuasiveness, stable values, reliability, straightforwardness; mature, sensual man; relist pragmatist, guarantee of security. Encourages enjoying what has been achieved and using one’s means and possibilities in a responsible manner. Warns against stubbornness and meaningless hoarding.

Again the theme of “responsibility”. And here in crisis, too. Hrmmmmm.

9th House – higher perception – XVI the Tower

Sudden perception, upheaval, breakthrough, liberation, blow of fate. Recognizing fixed ideas and exploding old concepts that have become too constrictive. Encourages going beyond a framework that is too narrow. Warns against incalculable risks and dangers that radical upheaval brings with it. As card for the year, this may be the year of liberation. Take the risks.

No surprise here. I will be progressing and eventually completing my year of studying ceremonial magic over the course of the coming year, and if that doesn’t culminate in a Tower I haven’t actually done the work.

10th House – recognition & career – Princess of Swords

Young, intellectual woman; female rebel who is nimble minded and knowledgeable; esprit, clarity, mental renewal, provocation, restlessness, quarrelsome nature. Conflicts at work, battle for position, clarifying conflict, rebellion. Encourages cooly and decisively clarifying a situation. Wars against “head wind” attacks and sharp-tongued criticism.

Does this card speak of me or of someone I’m going to have to deal with? Both, probably. As a Prince of Cups Scorpio, I have the capacity to manifest a lot of the qualities of swords court – particularly some of their more negative aspects.

11th House – friendships – Queen of Disks

Fertility, sense of security, sensuality, serenity, endurance; a mature, experienced woman; being calm, stable, patient, trustworthy. Trusting each other, perseverance, mature relationship, loyalty, starting a family, sense of security. Encourages dedicating oneself to concrete tasks with endurance and patience. Warns against meaningless drudgery and unimaginative striving for possessions.

Given the placement, I am inclined to take this Queen as a person I need to look out for. Someone I need to impress.

12th House – secrets & fears – Ace of Wands

Hopeful new beginning, initiative, willpower, decisiveness, electrifying idea, surge of creativity, opportunity for self-development, becoming inflamed about something. Encourages initiative and decisive progress. Warns against hotheadedness, impatience, and arrogance.

Of course I want these things. Who doesn’t?

Underlying Theme = 10 Swords “Ruin”

The “underlying theme” of my readings – the bottom card of the deck – is often the least reliable part of the readings. But I continue to make use of it because when it does mean something, it is often very helpful.

Here it appears to be reiterating a theme found in several of the other cards: be careful what you think you know. My preconceived notions are going to be a source of trouble in the coming year, and if I can’t balance or explode them, they could lead to ruin.

+2 = Princess of Wands X Knight of Swords

PrsW–

KnSw–

More people. I don’t know what to do with this yet.

Samhain Altar and Rites

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Many of the things which belong on the altar you see above seem to have been misplaced in the move.  This strikes me as somehow appropriate.  I have spent the week between callender and astrological dates of Samhain in off-and-on meditation on loss and transition. 

It is perhaps no coincidence – particularly as I work through my issues with Yesod and the Moon – that I have felt exceptionally burnt out over the last week.  I’m very happy with where I’m at, and with where I’m going.  But I’ve given up a lot and gone through a lot to get here.    I’ll have to give up more to get where I’m going.

I’ve spent a lot of time dwelling on these sacrifices and transformations – both past and future.  And I think that these ruminations – the details of which are too personal to share, even here, and of no particular value to anyone but myself anyway – have been fruitful, but they have also been painful.

Tonight these rites and meditations will be complete.  I’ll share the rest of my Mabon mead and a bit of the Samhain bottle with friends tonight, and finish celebrating the latest anniversary of my birth.  I will be glad to disassemble the Samhain altar in the morning, and begin getting back to living my life.

Days of the Dead

Today is Samhain, celebrated as the neoPagan counterpoint to Haloween, All Saints Eve, and Dia de los Muertos.  The astrological cross-quarter is actually a week from today.

I usually throw down pretty hard for Samhain, but I don’t think I’m going to this year.  I nursed a friend through a drunken flashback this weekend, and it really drove home for me that it’s just not that kind of Samhain this year.  My life is too fucked right now.  I think everybody’s life is too fucked right now.  So instead of having a lot of people over for a big ritual, I’m going to set up an altar to my honored dead and spend the week in mourning and contemplation.  I’m going to focus on my transitionary state, and my mortality, and maybe make a few trips to the underworld.

Blessed be, everyone.  Be safe.  Be loved.  And if you’re having a better year than many of us, please drink a toast to our health.

And try picking up a Guy Fawkes or V for Vendeta mask at the Haloween stores as they start closing down tomorrow, for your Occupy Wallstreet related magics.

Fuck Yeah Try This At Home

Reading an article on sacred homoeroticism/third-gender sex for one of my classes, I came across this gem:

Arboleda’s survey of Moche erotic art also included analysis of what he names “mythic-religious” figures … The series begins with a group of three male anthropomorphic figures preparing a liquid substance, which in the following scene is poured over the gintal area of two copulating figures.  Arboleda speculates that the substance was a hallucinogen … To [the side of the scene] there is also a winged figure, possibly symbolizing shamanic dream flight. *

Entering a shamanic trance state with the aid of a lover and hallucinogenic lube?  Sign me up!

Sadly, I cannot find a photo of the piece in question.  And whether or not this is an accurate interpretation of the piece is, of course, debatable.  That’s not what I’m here for.  I’m just here to say that it sounds like a damn good idea.


* Horswell, Michael J.  “An Andean Theory of Same-Sex Sexuality and Third-Gender Subjectivity” in Infamous Desire: Male Homosexuality in Colonial Latin America.  Ed. Pete Sigal.  Chicago: University of Chicago Press, 2003.  pp.25-69

Yesod Altar

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Behold: my altar to the Qabalistic Moon.  At the corners of the tile are the Nines of the tarot suits in Cowley’s Thoth and the Pamela Coleman-Smith Centeniall.  Atop them are my newly made Air Knife – a loose blade that has been sleeping in my altar for some years joined to a split branch found near my home – a lab-grown quartz wand I had not found use for (besides showing off and zapping guests with) during the decade it has lived on my altar, an art-glass cup serving as chalice, and my newly-recharged peyton.  In the middle are nine candles (they’re tea lights, on account of I’m too cheap to shell out for nine nice candles on a project like this), a rock painted with they glyph of the moon atop the Seal of the Moon, and my ever-handy obsidian orb.  Around the outer edges are XXI the World/Universe, leading back to Malkuth; XIX the Sun, leading to Hod; XIV Adjustment/Temperence, leading to Tiphereth; and XVII the Star, leading to Nezach.

With the construction of this Altar I begin my study of Yesod.  My tasks for the month include:

  • The production of Abramelin Oil (I intend to follow the example of Aaron Leitch, rather than Penczak’s recipe)
  • The Middle Pillar Exercise
  • The Circulation of the Body of Light
  • Storytelling as an act of magic
  • Various Pathworkings and visionary journeys

Two of these, I realize, may well have helped with the issues I was having with the LBRP, had I been willing to tolerate another ten days of that bullshit.

Although the program expects about a month spent on each sephira, I anticipate spending no less than six weeks on Yesod. This is in part because I need to solidify my relationship with the Moon in many regards. One of the tasks Penczak associates with Yesod is sacred story-telling, and I intend to dedicate this year’s National Novel Writing Month effort as an ordeal in the name of the Muses.  The additional time is also necessary for the production of the Abramelin oil, whose ingredients are much harder to come by here in Sunrise than I they would have been in KCMO.

I will, of course, be sharing the results of all these experiments with you: my dearest readers.

October Full Moon: Wand-Maker’s Moon 3/3

The final night of my lunar rites was simple, relatively speaking.  My heavy work had already been done.  All that remained was to give thanks and contemplate the work that had been done.  I cast the circle simply: tuning quietly to the four elements.  I poured libations to all my gods, took a few moments to charge all my tools, and descended to my Inner Temple.

I walked around entire perimeter, and when I made it full circle, a door opened between the giant Kouros and Cycladies inside the front gate of my temple.  I descended through a straight, dark tunnel to a square, grey stone underground chamber that hadn’t been there before.

There was a silver circle inscribed in the floor.  I stood  in the center of the circle and felt myself filled with the purple light from my instruction with Rhea.  I pulled out the orb she gave me and poured that light into it, then placed the orb in a recess that opened for it in the wall opposite the stairs.

The Full Mon’s Work done at last, I ascended the stairs and returned to my body.

I don’t know what I’m going to do with that sphere, but I suspect there are other tokens waiting for me.

October Full Moon: Wand-Maker’s Moon 2/3

I began my second night of full-moon rites with an earth-to-sky variant of Q-Cross.  I performed an “LBRP” using a burning sage wand instead of the knife, banishing pentagrams of spirit instead of earth, and invoking Iris, Hephaistos, Rhea, and Dionysos instead of the archangels.  I completed the rite with by invoking Gaea, Ouranos, Hephaistos, and Dionysos in the second Q-Cross.  Let me just say: holy shit that was awesome.  I cast my elemental circle, lit the candles on my Malkuth altar, and invoked Earth manifesting as Malkhuth.

I drank my absinthe-and-dream-herb flying potion, donned my mask, and descended to elemental realm of earth by sinking into the center of the stone circle in my Inner Temple (why can’t I ever go the same way twice?).  I met the guide I call Troll Lady, who was amused when I greeted and addressed her formally.  I asked her to take me to the Lords and Rulers of the Elemental realm to confirm the receipt of my Stone of Sovereignty (in retrospect I probably should have asked for something more open-ended).

She led me down and down and down to a vast dark cavern, along the outside of a bronze gate and wall and into a cavern where I met with shadowy figures who refused to confirm my stone and told me that the sphere was something else entirely.

When they were done with me, I asked Troll Lady to take me to where I should have asked to go in the first place; she told me it was too late for that.  I asked her to take me to where I needed to go now, and she took me to the Garden, from where she led me back to the Inner Temple via a mountaintop which deposited me on the plains facing the gate to my Inner Temple.

I returned to my body, did my monthly Tarot reading, thanked all spirits and powers who have helped me, and closed the circle.

With that journey, my month of Malkuth was complete.

October Full Moon: Wand-Maker’s Moon 1/3

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At the beginning of the week I performed three days of Lunar rites, which largely consisted of spirit-journeys following up on my issues with the Lesser Banishing Ritual of the Pentagram and with my transition from the study of Malkuth to the study of Yesod.  I began by dedicating the offering bowls which I made for my idols of Dionysos and Rhea, and for my spirit-helper Tsu; I also made bowls for my Kouros and Cycladic figures, but they … didn’t turn out.  I finished by building my Yesod altar.

Monday night, the first night of the full moon, I performed my rites in the Hour of the Moon.  I opened with my inverted Q-Cross and abstained from any variation of the LBRP, as my mission was to return to the underworld for the instruction I had been promised.  I cast my circle, opened a vortex, and descended to the Garden via a World Tree which looked like an apple tree.

I met the leopard and he guided me to the temple again, this time with two kraters of wine.  The path was already open, giving me glimpses of hundreds of other Gardens as I passed.  I took my female shape at the temple, thanked the leopard, and went up several steps.  Rhea waited for me on her throne again, and there was something hiding behind it which left me with a vague impression of yellow.  We performed the same drinking ritual as before: I handed her the krater to drink from, se returned it to me to drink, and we passed it back and forth until it was empty. 

She handed me a sphere of pale stone and asked me to perform the LBRP as I had been instructed.  I did so, and I could feel my root chakra rotting even in that sacred space.  I knelt at her feet and she healed me again.

I received no … direct instruction.  Not in the way I had imagined, anyway.  Instead she filled me to the brim with purple light – subconscious clues, I believe, which will surface as I need them.

When asked if I was ready to pursue the mysteries of the moon in Yesod, she said yes and bid me farewell.  I returned to my body almost directly.

Cross and Pentagram–Rites of the Obsidian Dream

Since discovering that satyrs and archangels don’t mix, I’ve been experimenting with variations on the Qabalistic Cross and the Lesser Banishing Ritual of the Pentagram.

The first variant I tried was the simplest: I stripped the god-names and the archangels from the rites.  Instead of intoning the various Names, I tuned to analogous forces from within my own paradigm.  The Source and Manifestation (Atah, Malkuth) of the Q-Cross are not unfamiliar to me, though they’re archetypal energies I had never worked with before this exercise.  Power and Glory (Vi Geburah, Vi Gedulah) … well, so far they’ve always felt more like Wrath and Wonder, and again, not so unfamiliar.    Replacing the archangels was even easier: I simply tuned to the elemental powers I’ve been working with for years.  Had I not performed the proper LBRP for the previous three weeks, I would have thought this rite an effective one.

The next variation was more significant: I continued with the Cross, but inverted it altogether: starting with Earth – or, more accurately, the Primal Life of which Earth is a manifestation – below and drawing that power up through my chakras to connect with the Source above.  Power/Wrath and Glory/Wonder I left the same.  This was incredibly effective, though I haven’t done it long enough to determine if it has any strange side effects.  When I next attempted the Pentagram Ritual, I tried replacing the banishing pentagram of earth first with the banishing pentagram of spirit, then with the invoking pentagram of earth.  Both were interesting, and deserve further study.

In the three days between seeking healing for the damage done to me by the LBRP and the beginning of my Lunar rites, I gave up the pentagram portion of the rite altogether until receiving the instruction I was promised.  The details of that instruction were … vague, but I’ll get into that later.  The second night of the moon, when I cleansed my house and dedicated a number of new tools, I performed a variant where I invoked, rather than the archangels, the gods Iris (in the east for air), Hephaistos (in the south for fire), Dionysos (in the west for water) and Rhea (in the north for earth).  Let me tell you, I felt the ground move when I did that.

This morning, as I resumed my daily practice in preparation for my study of Yesod, I invoked a number of more primal gods: Earth and Sky, Sun and Moon for the Cross; Mnemnosyne for air, Prometheus for fire, Rhea again for Earth, and Okeanos for water.  That, a little to my surprise, was less potent.  Possibly due to my exhausted state after a week of chaos, or due to my lack of practice for the last six days, or even possibly due to my lack of relationship with most of those gods.