Showing all posts by Satyr Magos

In Uncategorized

Metapost

Author Satyr MagosPosted on

So, I’ve been playing with different programs to update the blog.  I usually write my draft in OpenOffice, then copy and paste it over to the webeditor, but that’s … aesthetically displeasing to me.  MS Word is pretty good for it, but I haven’t ever gotten around to buying a copy of MSOffice, and my trial ran out again.  (Grrr, poverty.)

Today I discovered Windows Live Writer, which I like a lot lo far.  It gives me a really, really good idea of what my posts will look like when I’m done (insasmuch as that even matters), and pasting images from my computer or the web is much easier.  I’m not sure yet, but I think I can even set it up to update my livejournal, too, which would be neat.  I really hate the LJ webeditor.

Today I also discovered the Stats tracker on this blog.  First: I’m an idiot and I’ve been tracking my own pageviews, so the count is practically meaningless (I only use this thing twelve times a day to keep up on my blogroll).  But!  Not wholly meaningless!  People from as far away as Russia and South Africa have visited!   That’s awesome!  Hello out there!  (::waves vigorously::)  Folks from China, the UK, and Latvia have come by!  (And of, course, many Americans … almost all of whom might actually be me.)  It’s very, very exciting to me to have had visitors from not the US.  I can’t really explain why (that whole crazy thing).

Also, most of my viewers come from Facebook (which doesn’t surprise me) and that my altar is the most interesting thing I’ve written about so far.  So there will definitely be more of that.

/spaz

In art, witchcraft

Samhain Altar

Author Satyr MagosPosted on


This weekend, Aradia and I put up our Samhain altar. It will probably see some revisions over the course of the season, but I think it’s a really good start.

At the top you’ll see my Sun King mask wearing the Crown of the Waning Year. I’m a little embarrassed to admit that we didn’t change out the crowns until just now – our practice fell off somewhat over the summer, due to various and sundry dramas, and we’re only now getting back up on the wagon. We must not be doing too badly, though, because when we did our house-cleansing the Circle popped into place as soon as we lit the first candle.

The centerpiece is the Death Mask I made last Samhain. I’m actually a little startled how much power it has acquired over the year its spent in my altar. “It’s watching me,” Aradia said when we set it up. Then: “You do that a lot.” (Do what? I ask innocently.) “Creating entities.” I guess I do. It’s kind of the nature of masks, but they’re not the first. That would be Tsu*.

Dionysos and the Water-bearer serve as our God and Goddess images for the moment. A candle for the sun and moon sit beside them, and the horns I made for Aradia’s Princess of Pentacles photoshoot in between. A Ganesha incense burner, a brass gong, Aradia’s ritual knife, and our house chalice also share the upper tier, all in front of a Zodiac poster older than I am to represent the wheel of the year. There’s also a five-pointed gourd we picked up at the farmer’s market that day … it called to me.

The lower level has our four elemental candles and various associated symbols: a rock and a fallen leaf; incense burner and a smudge stick; my cauldron, a candleholder and an ash tray; a seashell box. The pumpkins are for our pre-Samhain feast, and the candelabra in the middle also holds our Brigid candles from Imbolc. There are, of course, a few assorted tools and crystals for one thing or another, and the altar-box below.

 

*Another story, for another day. It’s long and not actually as interesting as it sounds.

In scholarship

Source Review – the Tarot: History, Symbolism and Divination.

Author Satyr MagosPosted on

Books on how to read Tarot cards are dime-a-dozen. (Figuratively, at least; Hermes help me, I wish they were cheaper.) Good books on the Tarot are fewer and further between, and most of them are associated with a particular deck – there are entire libraries, for example, dedicated to the Crowley&Harrison’s Thoth deck, alone. For a generalist book, though, you can hardly do better than this one.

Robert M. Place stand out from other Tarot writers, first and foremost, in that he can distinguish between myth and history. The Tarot: History, Symbolism, and Divination actually has a chapter devoted to each. Unlike many authors, who subscribe to the mythical history wholesale, Place recognizes that the symbolism of the Major Arcana cannot be traced further back than Renaissance Italy, and goes to great length to prove his point, citing a number of studies and histories patently ignored by many in the New Age community, romantically attached as they are to the idea of ancient (even prehistoric) origins. He then goes on to describe and debunk the mythic history, showing where Levi and others invented the Tarot they needed, ultimately culminating in the well-known Waite-Smith deck.

From there, Place traces the individual symbols in many of the cards, providing a clear insight into their historical meanings and contexts. He describes the divinatory and symbolic meanings of the Waite-Smith illustrations (more commonly known as the Rider-Waite deck, a name which credits the corporate publishers over the female artist). He cites Waite and Smith’s memoirs, notes, and letters, giving us further insight into the origin of the modern Tarot deck.

Finally, he has a chapter on layouts, which – to my delight – overlooks the overused Celtic Cross and includes an expanded version of the Twelve Houses spread. It even starts with some general discussion of the theory behind various layouts.

SOURCE
Place, Robert M. the Tarot: History, Symbolism, and Divination. New York: Penguin, 2005. Print.

In scholarship

A Classic Case of Cultural Misappropriation Misrepresented as Scholarship

Author Satyr MagosPosted on

I am taking a mythology class. First mistake: it’s an English/Literature class, not an Anthropology class. I should have known better.

The textbook, about which you will be hearing a great deal, is Myth and Knowing: An Introduction to World Mythology, by Scott Leonard and Michael McLure. There’s a lot of broad, systematic problems with the book from feminist, pagan, and various other angles (scholastic and otherwise), but here’s a nice and easy one.

The French novelist Marguerite Yourcenar wrote a short story entitled “Kali Beheaded”. It’s not a bad story (not great either … though I can’t say for sure since I can’t read the original French), but it’s just a story. Jyoti Panjawani has written an essay on the three Hindu stories that appear to have inspired “Kali Beheaded”.

Myth and Knowing misrepresents Yourcenar’s fiction as an actual Hindu myth of the divine feminine – a “modern adaptation of traditional materials (Leonard 157)”, as though all she’d done was adjust the formatting from lyric to prose and tweak the language for modern comprehention. No. That’s not what she did. It’s an utter fabrication, published elsewhere (rightly) not as anthropology but as her own goddamn original fiction.

This is officially the first in what will become a long series of posts about the epic fail that is this textbook.

In hedonism, witchcraft

Mabon Pumpkin Mead

Author Satyr MagosPosted on

Mabon Pumpkin Mead

Put together from several pumpkin mead recipes on the internet:

http://brewery.org/cm3/recs/10_36.html

http://www.stormthecastle.com/mead/mead-recipes.htm

Materials

1 empty 2 gal primary fermentation vessel (food bucket)

1 empty 4L jug

1 air lock

2 lbs raw honey honey

1 lb brown sugar

12 oz diced, baked pumkin

1 cinnamon stick

1 pkt Montrachet wine yeast

1/2 tsp yeast nutrient

1/2 tsp pectic enzyme

1/8 tsp tannen powder

1 Campden tablet

juice of two oranges + twist of peel

water

Process

bake pumpkin after glazing with butter, brown sugar

mix honey and water at 1:2 ratio in sauce pan, heating until foam forms on surface, skim foam

add allspice, nutmeg, cinnamon stick, brown sugar to honey mixture, allow to cool

add pumkin, tannen, pectic enzyme, yeast nutrient, honey mixture, and Campden tablet to primary fermentation vessel

24 hours later, add yeast to the juice of two oranges. give 1-2 hours to become frothy

add yeasty orange juice, twist of orange peel to must

rack in 1 month, again 6 weeks later, again 6 weeks later

bottle at 6 months if clear, consume at Mabon year after year

In witchcraft

Tarot in the Next Space

Author Satyr MagosPosted on

It’s been quite a few months since I made it out to the First Friday extravaganza in the crossroads. I think it was in April or May when Aradia and I discovered the Next Space. I happened to comment to Aradia that it would be fun to do Tarot readings as performance art – to be producers of the First Friday experience, rather than consumers; the venue owner, Tyler, said “Do it here!”

Aradia actually started doing it before I did. The Friday night event turned out to be harder for me to schedule around than I originally thought. There was more than enough interest for two readers, so when we finally made it back to the First Friday scene, I came along to try my hand.

I’ve been reading tarot for almost fifteen years and I’ve done a few rounds of the coffee-house scene, but I’ve never done public readings of that nature before. It was among the most liberating and enlightening experiences of my magical career. There was a lot of psychic “static”, yes, and shouting over the band in the other room was a chore, but the readings and meanings have never come more clearly.

I used my old friend, the Robin Wood deck, and for the first time in my practice I actually had parts of the cards “popping up at me” – the visionary moments that some people describe having when they lay cards. Every time I thought I was going too far, reading too much into something … that was when I was closest on target, though I think people appreciated me backing off to let them process some of the more negative things that came up. And I was pretty blessed as far as negativity goes: I got to tell almost everyone that it’s going to be “happily ever after”, at least once they get the bullshit out of the way.

There were a lot of court cards; Pages (Pentacles and Swords, in particular) were very common, especially with the younger college girls, and I saw quite a few Knights of Rods (two I’m pretty sure were illicit lovers, one was someone’s soldier son). I used the Twin Pillars spread, which I found to be very useful for people’s general interests. I wish I were more adept at the Twelve Houses spread that Aradia favors – there were a couple people in particular that I think would have benefited from that – but I think it was advantageous for us to use different spreads as well as different decks. In particular, I would like to combine the two: replacing the Pillars with the Twelve Houses, but continuing to use the central cross.

As arranged on my last major vision quest, all my prophesies were offered in the name of Apollo, and the Sun came up in more than three-quarters of the readings.

The experience was draining, but it was also exhilarating. I was high on the power all night, and when I woke up this morning I was still drained, but none of my circuits were blown. I can’t wait to do it again next month.

In art, hedonism, witchcraft

Midsummer Mead

Author Satyr MagosPosted on

I racked my first batch of midsummer mead at the same time I did the Beltane. The black cherry flavor was somewhat spontaneous, and the recipe would work as well with any summer fruit substituted. The flavor was potent, but definitely needed more time to meld and harmonize. Aradia – whose palate is much more refined than my own – described it as having two entirely separate flavors, which didn’t quite get along yet. By the time it’s bottled and drank, though, I think it will be beautiful.

Midsummer Mead – Black Cherry Melomel

Materials
1 empty 4L jug
1 air lock
2.5 lbs raw honey honey
32 oz. bottled black cherry juice
1 pkt dry wine yeast
yeast nutrient
pectic enzyme
acid blend
tannen
water
Process
sanitize jug & airlock as described in manuals
fill jug with water, honey, nutrients. shake well
add yeast, shake again
insert air lock
incorporate bottle-shaking into midsummer ritual
rack after 2 weeks
rack again after 1 month, topping off as necessary
rack again after 6 weeks, topping off as necessary
takes about three months to clear from first fermentation
bottle at 6 months
drink at midsummer, year after year.

In art, hedonism, witchcraft

Beltane Mead

Author Satyr MagosPosted on

I just racked and sampled my Beltane mead the other day, so I thought I’d share the recipe. This was my first attempt at incorporating meadmaking into a sabbat ceremony, and I think it’s gone pretty well. Our Beltane celebration took place out at Camp Gaea, which made the operation just a little tricky: packing and prepping everything I could possibly need. Since it was, of course, a bonfire ritual I did all the prep work in the morning – measuring and mixing everything into the honey and water in the jug I used as a primary fermentation vessel- and, because it was a bit chilly this year, kept it near the fire. We did our ritual, and shortly before the culmination (my first cone of power ever), passed the jug around and had everybody dance with it as we danced around the fire, raising power.

I could still feel that power as I racked and sampled (making the appropriate offering to Dionysus, of course) the product, to make sure it was progressing as planned. (Ho, boy could I feel that power. Zing!) Also, very tasty.

Beltane Mead
A recipe refined from experiments with Jug Mead, designed to be made during the sabbat ritual and drunk when the wheel of the year has completed another rotation.

Materials
1 empty 4L jug
1 air lock
3 lbs raw honey honey
1 pkt Lavlin brand EC-1118 wine yeast
yeast nutrient
pectic enzyme
acid blend
tannen
water

Process
sanitize jug & airlock as described in manuals
fill jug with water, honey, nutrients. shake well
add yeast, shake again
insert air lock
incorporate bottle-shaking into beltane ritual dance
rack after 2 weeks
rack again after 1 month, topping off as necessary
rack again after 6 weeks, topping off as necessary
takes about three months to clear from first fermentation
bottle at 6 months
drink at beltane, year after year.

In witchcraft

Motivations

Author Satyr MagosPosted on

Penczak’s Outer Temple asks that we consider our motivations for practicing witchcraft – the magic in particular. I have been practicing magic since I was sixteen years old. I have been studying it even longer. My earliest days as a Seeker are vague, at best. But sitting down and thinking about it, I can remember my first inspiration: the spark that got the fire going.

 
 

It was Bedknobs and Broomsticks. I was ten, maybe twelve, when I first saw the Disney movie. I was still trying to find portals to Narnia in closets and odd openings in the house I grew up in. And although I understood that it was fiction … the bit with the enchanted beds seemed plausible to me. Or, it must have, because I remember clearly trying the spell to enchant my own bed. When it didn’t work, I assumed that the movie had gotten it wrong and went to read the book the movie was based on. The book didn’t actually contain the details of the spell, or any spell – it was deviously vague! – so I had to find other sources.

 
 

The rest, as they say, is history.