HPF 2016: Workshop After-Action Report

I hosted four workshops at this year’s festival.  That’s quite an escalation from last year’s two, and next year I will probably do five.  I’ll probably go at it all a little differently, though.

The nature of my first three workshops required that they be in a particular order, and on the same day.  I taught a basic energy work and circle casting class, followed by a class on conjuring spirits, and culminating in an actual conjuration of the spirits of the Sphere of Venus at their appointed hour on their appointed day.  Nescessarily, then, all three were Friday.  That was kinda tiring.  Also frantic.

The 101 course was sparsely attended – just two people – but they were very enthusiastic.  It was intimate and effective, and I will definitely teach it again next year.

The conjuration workshop drew about eight people, twice as many as last year and more than all my other workshops combined.  There was a good mix of experience levels, and people had a fun variety of their own stories to share.  Almost all of them went on to participate in the actual conjuration that night, along with a handful who hadn’t made the workshop.  Definitely a success.

The final workshop was a discussion on being queer and pagan.  Relatively few people showed to that one, which had the misfortune of being placed at the same time as workshops by both Sede and Lupa, two of our guest speakers.  In particular, I was interested to see if there was an interest in hosting meet-and-greets to help queers attending the festival to find each other and create a sub-community, and I think there is definitely enough interest in that.  Hopefully some younger and more radical queers will attend next year, and we will have a more lively discussion.

All in all, I think the workshops went well, and putting them on was a very rewarding experience for me.  I will definitely try to spread them out more, next year, if I can, but I will probably do them all again.  I may even do two queer and pagan workshops: a meet-and-greet at the beginning and an after-action discussion group to air any problems that people had.

 

HPF 2016: Promethean Vow

At the apex of the Fire ritual, Prometheus demanded that each of us make a vow to act, to pursue an ambition which he would help us achieve.  The ritual was written in such a way that all of the fascilitators could participate, and make vows of our own.

I vowed that my novel, The Mark of the Wolf, would be in print in time for the next festival.

My first step, taken less than 24 hours home from the festival, was to reproduce that goal in miniature by self-publishing one of my other, smaller, stories on Amazon.

Bad Trip Cover

My first published novelette, Bad Trip, is set in 1968, and follows a group of four friends as they explore a haunted house somewhere near Athol, MA.  It’s not the first “haunted” house they’ve explored on their celebratory road trip, but it proves to be full of more than bad vibes and cheap thrills.  As the four friends make their way the Whitley manor, room by room, they find first mystery, then horror, and finally doom.

The story offers, I hope, an intriguing introduction to my fictional world of occult horror, with a hat-tip to Lovecraft country on the way down.  It’s $3 for 8000 words, which is more fun for less money than a trip to the cinema.

 

HPF 2016: Elemental Rites

We had a beautiful and elaborate ritual arc planned.  We were going to have a ritual each day of the festival: opening with Earth, progressing through Air and Water, and culminating in Fire.  There were to be four elemental altars, each to be staffed by one of my Keepers for the two hours before the ritual they would officiate.  My ritual crew was to gather at the altars and process throughout the camp each night, calling people to ritual.

Then we had a week of torrential rains.  Capped off by a tornado on opening day.

The elemental altars were never fully erected.  My Keeper of Earth, an experienced hiker, felt that the path to hers was unsafe.  The Water alter never even made it down to the lake.  Having lost a day and a great deal of energy to the chaos of Thursday’s tornado, the oracular stations never took place.  Thursday night’s ritual, as I described yesterday, just didn’t happen.  I have since issued a public apology for all of this, but more than that … we were all looking forward to it.  It was a loss for us as well as for the community.

After a great deal of discussion and soul-searching, we decided that the thing to do was to have the opening Earth ritual Friday night and conclude with Fire as we had originally planned.  We would figure out what to do with the Air and Water rituals after we’d made it past the first goal post.

The Earth ritual was focused on cleansing ourselves of what had come before — written originally as our “mundane” lives, but expanded to include the fear and terror of the day before — and revolved around two points; “we are of the earth, we are upon the earth, and in the end, we are below the earth”; and “be here now”.  Having led the participants through a rudimentary banishing, and ecstatic chanting led by Shauna Aura Knight, we conjured the genus locus of the Gaea Retreat Center, as aspected by Lupa, to cement the deal.  We passed out hand-sewn pouches in which to collect sacred objects found or gifted throughout the festival, and concluded the ritual with a group hug, belatedly welcoming everyone to the festival.

At the end of the ritual, our Keeper of Air announced that we would be combining the Air and Water rituals for Saturday night.

The Air ritual was designed to help us discern and articulate our desires.  Our key phrases in that ritual were “breathe and think” and “breathe together, live together”, with Shauna once again leading the chants.  To the end of naming our desires, the Keeper of Air conjured the nine Muses, aspected by myself in a nine-faced mask — an experience that I will speak more on, later.  For this ritual’s tokens, we passed out cones of incense.

We concluded the Air ritual as written, and Shauna held the space by leading the participants in a chant while my crew and I switched gears, turning ritual leadership over from the Keeper of Air to the Keeper of Water.

The Water ritual brought us together to face our fears, the things that hold us back.    We brought everyone to the center of the circle as they chanted, and made them reach into a pool of water to get their seashell tokens.  Then the Keeper of Water conjured Typhoeus, father of monsters, performed by Shauna Aura Knight to claim our fears as his children.  Then everyone was brought back into the center of the circle to comfort one another.  It was written to be heavy, and it was Shauna’s chance to deploy a number of her ecstatic techniques that could not be woven into the other rituals gracefully.  The ritual thesis, dropped in the final line, was, “In the end, we must all face our fears.  But we need not face them alone.”

The final ritual was Fire.  Having sequestered ourselves, consulted the Muses, and faced our fears, it was time to act.  The Keeper of Fire spoke of rekindling the divine spark within ourselves, dimmed by oppression and defeat.  She conjured Prometheus to aid us, and he demanded an oath to pursue our ambitions before he would give us his aid.  Again, Shauna added her ecstatic chants to raise and maintain energy, and to focus it into the candles we gave as tokens — candles which serve as contracts with Prometheus, cementing the vow to act in return for his aid.

All in all, I think that the rituals went off beautifully.  There were a handful of flubbed lines and missed beats, but literally nothing that someone who didn’t write the script would notice.  My Keepers were amazing, each stepping up past their own previously conceived limits.  Lupa’s incarnation of the spirit of Camp Gaea was masterful and powerful.  Shauna’s chant techniques reinforced our script and filled gaps in the rituals that we had not known how to fix.  And Nels and Judy’s drumming helped tie everyhing together across all four rituals.  Oh, and the costumes.  I can’t wait to get the pictures back so I can show them off to you.  Especially the nine muses.  People poo-poo theatrical rituals, but it fucking works.

The feedback we have received so far has been overwhelmingly positive.  I think that I can safely say that we are succeeding in serving our community.

 

HPF 2016: Riders on the Storm

It would be impossible, even irresponsible, to talk about this year’s festival without mentioning the Sword of Damocles that overhung the whole weekend.  So, as you might expect, I’ll bring it up first.

We almost got eaten by a tornado.

Last year, it rained every single day, breaking for no more than an hour or two at a time.  Going into this year, I and everyone I know spent the last month with our eyes on the long range forecasts.  Prognostication was mixed: there was always talk of some rain, but mostly intermittent.  The closer the event came, though, the more it looked like a repeat of last year — with an added bonus of summer lightning, just to spice things up.  At least it was supposed to be warm.

Aradia and I had intended to hit camp by noon Monday to help with set-up.  The rain had other ideas: coming down in a torrent that prevented us from loading the trailer, and flooded the back yard so thoroughly that it ran up and over the foundation and flooded our back room.  I live in a family property, so that made for family drama in addition to landlord drama.  Weeping and gnashing of teeth aside, Aradia and I didn’t make camp until midnight, at which point we took advantage of a lull in the rain to set up our encampment.

Tuesday was more threat than storm, and although we had to stop several times to let the winds and rain past, we were able to get a great deal of work done, as well as move our temporary encampment to somewhere large enough to support our incoming crew.

IMAG0889.jpg

Tuesday night, however, we were hit by and incredible windstorm.  Aradia and I were camped far enough behind the treeline to be spared anything but the fear (shit was loud, y’all), but when we came out in the morning, three pavilions had been flipped: safety, first aid, and the entirety of the Vice President’s encampment.  First Aid had not yet unpacked their supplies, so little was ruined.  Madame Veep was not so fortunate: all her gear and food was soaked.  She was gone before I woke up, and I can’t blame her: I’d have packed my shit and gone home, too.  This last, however, proved to be a particular problem for my encampment: Aradia was elected to take the position of Vice President after this year’s festival, and was made acting Vice President upon her predecessor’s abrupt departure.

Wednesday was less threat and more rain, with forecasts for the coming week looking ever more dire.  We worked through it.  Our honored guests came and were safely ensconced in their respective housing — Lupa, who preferred to camp, with Chirotus and Pasiphae, my Keepers of Water and Earth, and Shauna Aura Knight in her cabin — and I waited, nervous, for my Iris, my Keeper of Fire, to roll in from St. Louis with her crew.

Thursday things went to hell in a hand basket.

The day started off reasonably enough: breakfast in camp, setting up the Sacred Experience Committee booth and Centering Dome, attempting to coordinate our official photographer situation (a blog post unto itself), and hoping our Keeper of Air would make it on site in time for the opening ritual, scheduled for 5 o’clock.  Various emergencies demanded my attention as head of the SEC, and I helped out with other people’s work wherever I could.  Wind and rain were intermittent, but the sky was ominous.

My ritual crew was getting into costume and I was already starting to shut down the SEC booth when the first micro-burst hit.  Aradia was literally hanging onto the rails of our carport pavilion while I doubled the number of stakes in the feet and tightened up the ratchet straps at the corners.

Then the tornado siren came.

Evacuation protocol came through over the radio, and I helped usher people down the hill and into the designated storm shelter in the basement of the main hall.  The space doubles as a tool shed, and was … less than ideal.  And in no way comfortable.  But we gathered together, doing our best to comfort one another and simultaneously remain rock-steady for the benefit of the attendees.  Finally, the all-clear was given, and we tried to collect ourselves and make it back up to the ridge to perform the ritual.

Then the second call came over the radio: another cell headed straight for camp.

Now, having grown up in the area, it’s been my observation that my fellow locals have one of two responses to intense storms: excessive fear, or inadequate fear.  I suffer from the latter.  We had just made it to the top of the hill.  Half of us — half my crew, half our support, half the fucking festival — had already sprinted back to their encampments to make sure everything was intact.  Left to my own devices, I might have done the same.  But I had been anointed with the silver wristband of blame: leadership requires that one lead, and be responsible, and follow the rules.

I led everyone back down the hill.  Everyone who would be led, at least.  There were only half as many people in the storm shelter the second time around, and all twice as rattled as the first.

Again, I suffer from a distinct lack of storm-fear.  Not particularly afraid of enclosed spaces, at least not basement-sized.  But the fear in the room … the rise and crash of ritual prep and two rounds of storms … that shit fucked with me.  It fucked with all of us.  Doubly so Pasiphae, whose husband had been one of the sprinters before the second call came over the radio, and who never made it back to the shelter.

By the time the second all-clear came, none of us were in any shape for an opening ritual.  We were rattled and exhausted.  Pasiphae still needed to find her husband.  One of the honored guests was MIA.  The community at large seemed about the same.  So instead of an opening ritual, we had the community dinner, served in the Pavilion about an hour late.

Aradia and I were left in the pavilion while the rest of the staff ran around, trying to get people into and out of the festival as needed, and setting up a shelter in the Main Hall for everyone whose camp couldn’t be set up or had been washed out in the storm.   Most people were chilling out pretty well by seven or eight o’clock: the rain was still coming down hard, but they had been given warm food, a dry place to drink and dance under the Pavilion, and all overt signs of the drama had past.

We, however, were tense.  The forecast, because too many of us still had cellular signal, was grim.  I began to seriously wonder if we had been … interfered with.  Then Aradia asked me, “Do you have the Orphic hymn to Jupiter memorized?”

“Uh…. almost.”

We started going back and forth.  We were sure we remembered most of it.  My notes were on the far side of the rain.  We went to Chirotus.  He didn’t remember it, but he went off to find signal to see if he could look it up.

Aradia and I started without him.  I wound myself up with the opening and closing passages of the Stele of Jeu.  Aradia meditated.  We began to chant.  Chirotus appeared just  as we reached the lines we had forgotten.  We repeated the hymn three times.  I begged the spirits of Jupiter to intercede on our behalf, that whomever we had offended be appeased.  I begged that the skies clear, the rains abate, and the festival be allowed to procede.  I poured out a quarter of a bottle of really fucking good whiskey, the last of a batch that I had been hoarding for a year.

I wish I’d had the foresight to take a screenshot of the forecast.  The rain didn’t stop right way, but it slacked hard.  It rained off and on through the night and into the morning, but ritual and fire were undisturbed.  Saturday was clear and hot, and when the sun set the stars were sharper than I’d seen out there in years.  Sunday and Monday were more of the same.  The rains only came back yesterday and today, and only a little.

I spent all of Friday telling people not to beg the sun to come out: the world was still spinning, the galaxy continued to turn, and we were not a ball of ice flying aimlessly through space in search of a new gravitational anchor.  The sun was doing its goddamn job.  Some minds were seriously blown.

Appease the clouds, I told them.  Make offerings to the gods of sky and storm.  And we did.  Everyone I spoke to turned their attention to placating the storms.  And the skies stayed clear.

 

 

 

 

HPF 2016: Skidding In Home

A week ago yesterday, at almost exactly midnight (and about twelve hours after we had intended), Aradia and I disappeared into the woods for the thirty-first Heartland Pagan Festival.  Last night, just an hour short of a full week away, we pulled back into our driveway.

Last year, I found myself spearheading the ritual crew for the thirtieth anniversary extravaganza.  It was one of the hardest things I’d ever done, but it was an amazing experience.  Then some cruel bastards decided that I should be in charge: first they put me in the chair of my committee; then, when someone stepped down, I let them put me on the Board of Directors.

A year as ritual crew lead did not prepare me in any way, shape, or form for the amount of work I found waiting for me as Chair of the Sacred Experience Committee.  The decision to put on four workshops (three of which were interconnected and had to happen the same day) didn’t help.  And it turns out that coordinating with guest speakers to participate in the main rituals is hard.  And where the FUCK did all the Heartland drummers go?  (Seriously, you used to trip over at least two drum circles on the way to any given port-o-john; now I struggle to recruit three drummers for ritual.)  Oh, and that whole near-miss-with-the-tornado thing?  Yeah…. that happened.

I’m still processing.  There was a lot of really good stuff that happened.  There was some really shitting stuff that happened.  There was just a whole lot of STUFF that happened. And the weather.  Did I mention the tornado?  I’ll be processing all week.

And if you’re in St.Louis this coming weekend, you should come process it with me, possibly over beers or coffee, because I’ll be wearing my PR hat and schilling for the festival at St. Louis Pagan Picnic.  And, speaking of Public Relations, if you were there at the festival with me, please fill out our post-festival survey!  The survey is anonymous, and you will have the chance to enter for a free pass to next year’s festival!

Elemental Masks Project: Feral as Keeper of Air

In the fourth and final installment in Feral’s time with the elemental masks, here she appears as the Keeper of Air.  Feral is the second model to help me explore the personalities of these masks and the elemental powers they represent.

Feral did very fine work, and was a great deal of fun to work with.  But I hope, as the project continues, to recruit more witches and occultists to model for me — people who will be more naturally inclined to the energies that I am asking them to embody.

Prints, and the entire project to date, can be found at my portfolio.  For the Feral as the four Keepers, click here.  For the project in toto, click here.  If you appreciate my work, either my art or my witchcraft, please consider purchasing prints.  And if you are at all interested in working with me, as a mage or a model, please shoot me an email using the link to your left.  (Of course, with fest so close — by the time this post goes live, I will, in fact, already be in the woods — right now I can only pay in mead … but I can pay in a great deal of mead.)

Elemental Masks Project: Feral as Keeper of Water

Continuing my explorations of elemental power through the masks I made for last year’s Heartland Pagan Festival, behold the Keeper of Water, portrayed by Feral.

In the long term, these images may find themselves in an oracle deck and/or a photo book.

Individual prints, and a look at the entire project to date, can be found at my portfolio.  For the Feral as the four Keepers, click here.  For the project in toto, click here.  If you appreciate my work, either my art or my witchcraft, please consider purchasing prints.

HPF 2016 Preview: Come to My Workshops

In addition to my official work as Chair of the Sacred Experience Committee (that is to say, the main ritual arc and other public rituals), I’ll be presenting four workshops and rituals at this year’s festival.

Three of the four will be Friday, each (in theory) building on the last.

Firstly, at ten in the morning, I will be presenting a workshop on energy work, circle casting, and basic ritual construction.   With a little bit of wit and talent, someone will hopefully come in knowing only a little bit of theory and walk out prepared to cast their first serious spell or conjuration.

Second, in the early afternoon, I will be presenting a workshop on conjuring spirits.  It’s a little bit of theory, and a little bit of pointers on practice based in my own practice.  The target audience for this workshop are those of moderate to extensive magical experience but little or no background in conjuring spirits.  That magician will leaving my workshop with the tools necessary to begin their own experiments in conjuration.

Third, beginning at Sunset, I will take advantage of the First Hour of Night on the Day of Venus, and lead interested attendees in a conjuration of the spirits of Venus for her blessing and grace.

The fourth and final workshop, on Sunday afternoon, will be a group discussion on the experience of being Queer and Pagan.  I want to create a space to have a conversation about our magical and spiritual experiences, particularly those unique to our community, and to discuss possible solutions to the challenges we experience in the face of the overwhelming heterosexism of the neo-Pagan community.  The workshop is by and for queer people, and while I am not opposed to allies showing up, this will not be a place for them to talk.

Last year I only hosted one workshop, my first on spirit conjuration.  It was very well recieved and I am very excited to be doing more this year.  I hope to see some of you there.

Elemental Masks Project: Feral as the Keeper of Earth

 

Continuing my experiment of using photography to explore the personalities of my four elemental masks, we have Feral, again, this time as the Keeper of Earth.

Prints, and the entire project to date, can be found at my portfolio.  For the Feral as the four Keepers, click here.  For the project in toto, click here.  If you appreciate my work, either my art or my witchcraft, please consider purchasing prints.  Times are tough.

Chaos Protocols

As I mentioned the other day, I’ve been crying into my beer a little lately over the swiftly growing number of people I know or follow who have recently joined the ranks of published authors.  In particular, I’m weeping over the prodigious and prestigious one-two punch delivered by Gordon White of Rune Soup.  The second of two books he has published this year is The Chaos Protocols, via Llewellyn.

The Chaos Protocols, simply put, is the magic book I wish I’d had ten years ago.  Of course, ten years ago it couldn’t have been written: half the calamities and fewer than a third of the innovations (technological, cultural, and magical) that produced the world today had not yet happened.

Where Star.Ships is theoretical, meandering, and academic, The Chaos Protocols is pragmatic, to the point, and actionable.  Amusingly, it is the latter that has footnotes on almost every page.  The book begins with a brutal crash-course in economics and ends with a miniature grimoire.  In between, it provides magical theory, economic reality, and practical techniques by turn.

Economic highlights include a sober discussion of the probable medium-terms effects of crony capitalism; advocating for the return to multi-family and multi-generational housing; a realistic assessment of the value of formal education and property ownership; and a discussion of the meaning of value and the value of meaning.

Magical highlights include Gordon’s own variation on the Stele of Jeu; the print publication of his masterwork on sigils; necromancy and ancestor worship; a discussion of divination mechanics and strategies;  and magical strategies ranging from personal syncretisms to the Greek Magical Papyri to street-corner Hoodoo.

The most important parts of the book, though, can be summed up in three quotations:

One does not meet the devil at the crossroads to build a life that looks like everyone else’s.

and

Even if this is the apocalypse, that is no call to avoid making things interesting.

and, finally,

Become invincible and have adventures.  The rest is detail.

Let’s have at it, shall we?