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In sorcerer's workbench

From the Sorcerer’s Workbench: Mercury in Virgo Elected and Consecrated Talismans

Author Satyr MagosPosted on

This August, Nina Gryphon spotted six Mercury Elections, three worthy of metal talismans, the rest better suited for petitions and prayers. Looking for clearer-cut opportunities, I had actually overlooked all of these possible elections when I was looking back in May, which is why I still outsource my electioneering. Of those three superior elections, divination indicated that two of them were suitable for me to use.

The first election, I used for my own benefit, and for the benefit of my Lunar Shenanigans pseudo-coven, casting each of us a brass talisman of Mercury and distributing them at the end of our road-opening work at the Dark Moon. Preverb caught me hard the night before, and I barely slept. After the ritual, I was fucking high for hours.

The second election I cast for sale. The ritual, itself, was less dramatic in its effects on me. I think that the reason for this was twofold: firstly, none of these talismans was for me; secondly, the working first election had made me a better conduit for the Mercurial powers than I had been before. The spirits names and sigils came to me easily, as did their specialties, and their advice on how best to process them.

Of that second cohort, presented here, I attempted to cast six talismans. Only five came through. The technical difficulties were on the jewelry end, not the sorcerous side, and I have written about that experience here. All of the spirits – even the doomed one – spoke to me quite clearly, and I think they will all make good friends to whomever takes them.

They retail for $398, shipping included.  

The first talisman is a pendant. Its spirit specializes in course correction.

The second talisman is a coin. The sprit promises to attract anonymous patronage and sponsorship – ideal, then, for internet artists.

The third talisman is a pendant. The spirit promises to bring professional renown.

The fourth talisman is a pendant. The spirit promises to teach perseverance.

The fifth talisman is a pendant. The spirit promises to teach excellence in art, craft, and skill. Sold

In art, sorcerer's workbench, witchcraft

Half-born Spirit

Author Satyr MagosPosted on

Over the last decade in general, and the last three years in particular, I have been doing increasingly intense work with electional astrology and astrological images, culminating (so far) in an ever-expanding series of metal talismans cast in my home studio. But, as any of you who are in the arts in general, and jewelry in particular, know, neither art nor magic are science, and results are sometimes perfect. Casting, in particular, is a bit finnicky, and the vagaries of combining the process with spirit conjuration only complicates the process.

So far, most of the time, the issues have been minor. Some of the coin talismans had been meant to be pendants, but the bail didn’t cast correctly. In those instances, I just cut off the nubs with no harm to the metal talisman or complaint from the talismanic spirit.

In most cases where more intense intervention was necessary, I kept the talisman for myself and worked with the spirit to determine what was needed to achieve our mutual ends. My Mars talisman, for example, had been meant to have three jump rings, but only the bottom one cast. I made him a frame so that I could wear him as a necklace, rather than string him on prayer beads, and hung a Roman arrow head from the bottom ring.

The case of my Jupiter talismans was more extreme. One talisman had a hole in the blank space over the lion-man’s bolt, and two of his three jump rings had failed. Working with him, I tube-set an emerald in that hole and built him a silver frame so that I could string him on lapis and moonstone prayer beads. A second talisman had mis-cast more drastically, missing one of her hands and a great deal of the thinner parts of the talisman had cold-shut, leaving negative space in the background talismanic image. I thought that I was, finally, going to have to figure out a funerary process for failed talismans – but the spirit informed me, in no uncertain terms, that she wanted to live. And so I made a frame for her, as well, with “wings” that would clip into my cuff bracelet. They were not the strongest talismans I’ve made, but they’ve been growing stronger as I work with them, and they have been good and loyal familiars.

At the second of August’s Mercury in Virgo elections, however, the inevitable finally happened: one of the talismans I cast failed entirely. The problem was on the jewelry end of things: I didn’t get a good enough seal between the flask and the vacuum of the casting machine. If it hadn’t been an elected cast, I’d have had more than a few seconds to fuck with it and get a better seal. But it was and I didn’t.

The talisman was barely there, a cartoon crescent moon where there should have been a full disk. At first I thought there wasn’t even enough there to catch as spirit. As I cut it off the sprue, though, I could feel the spirit in the metal: struggling to manifest, but without enough material or image to fully enter the world – but too much to just leave on its own.

I didn’t ask its name. That seemed like an insult. I just held it in my hands and apologized. I asked what it needed. It needed the fragment to be destroyed, rendered unrecognizable as even the attempt at a talisman. That was absolutely in my power.

I took the crescent nub to my soldering block and turned on my torch. As I put fire to metal, I apologized again and reached out my psychic hands to cradle the spirit as I pulled it softly from the melting metal. I continued apologizing to the spirit, promising that it would have another chance at life in the material world when next I came to a Mercury election.

The brass burned blue as I melted it and resisted being slagged at temperatures that should have melted it readily. But the metal gave, eventually, and when it did, curling into a ball as best as brass can, the spirit came free. With a final apology, I released the spirit to return to its sphere.

Sometimes casts fail, even when there’s magic involved. I’ve been afraid of something like this happening since I started casting elected talismans for my friends back in 2020. In a sense, I’m glad that it finally happened, because now I know how to handle it, and that I can, and that – approached properly – it’s not as traumatic to either magician or spirit as I was afraid that it might be.

I’m also glad that it happened because it answered a question that has been with me since I first heard about spirit conjuration magic back in the 1990s. The spirits we call – or at least the ones that come when I throw my consecrated casts – are here because they want to be. There is something about incarnating as a talisman spirit that is appealing to them. They all want to live.

In sorcerer's workbench, witchcraft

From the Sorcerer’s Workbench: Venus in Taurus Talismans

Author Satyr MagosPosted on

At the beginning of the month I was able to catch the two Venus in Taurus elections, casting two cohorts of shibuichi Image of Venus talismans. For this election, I divided my efforts between my usual Picatrix Image of Venus talisman – “…the shape of a woman with a human body but with the head of a bird and the feet of an eagle, holding an apple in her right hand and a wooden comb similar to a tablet in her left, which has these figures written upon in [the Greek letters OLOIOL]. Whoever carries this image will be well received and esteemed by all.” (Picatrix Bk 2, Chapter 10, Paragraph 55, translated by Attrell and Porecca) – and an experimental variant without the characters, which effectively becomes a synthesis between the Picatrix (“…a woman holding an apple in her right hand and, in her left, a comb… “) and Mercurius (“…a shape with the body of man , the face and head of a bird, and the feet of an eagle.”) images (Book II, Chapter 9, paragraphs 27 and 28)” .

The first cohort, cast before dawn on the 1st, consisted of four talismans – two each of the friendship and experimental images. The second cohort, cast before dawn on the 6th, consisted of five –  three friendship and two experimental. The pre-verb for both rituals was intense: I couldn’t sleep at all those nights, and spend the non-ritual hours leading up to the elections working on old drafts. 

All are being sold for $409, including shipping anywhere in the US.

THE FIRST COHORT

Doing divination in preparation for the first cohort, I drew the Princess of Disks: good things will come of these, but they may be slow to manifest – possibly as much as nine months, depending on how literal that pregnancy metaphor gets. I mixed up an incense for the rituals on the night of the 1st, consisting of red sandalwood, rose buds, crushed amber, oil made at a previous Venus election, nutmeg, and cinnamon. I invoked the spirits by means of the Orphic Hymn to Venus (Athanasakis translation, as usual) and the Picatrix Invocation of Venus (Attrell and Porreca, p. 173), calling upon the powers of Venus to send down spirits who would aid and serve and be good companions to whomever carried them, and bring with them the blessings of the planet Venus. I got a little restless and hurried during the casting, and poured the metal at the exact beginning of the election’s window, but I think that was the spirits on the other side as much as me, because I could absolutely feel them come through.

The first talisman is a pendant, and she promises to teach self-love. This is the first of the experimental images. Sold.

The second talisman features the experimental image and is meant to be strung on prayer beads. She promises to help build a new life in a new place.

The third talisman is a pendant and she promises to rebuild bridges.

The fourth talisman bears the experimental image and is meant to be strung on prayer beads. She says, “I am a muse. I draw and inspire muses.”

THE SECOND COHORT

In preparation for the second cohort, I drew IV Art (Crowley’s answer to the Temperence card). Although I was and am confident in the go-ahead message, I am less certain what it means for whomever will carry it. I used the same incense for the second cohort as for the first, and invoked the spirits by the same two hymns, and again asked that the planetary powers send down spirits who would be good companions to those who carried them, and bring with them the blessings of Venus. This election I hit more precisely, a single minute before Venus crossed the ascendant, and again I could very much feel the spirits rushing through.

The first talisman is a pendant and she promises to “bring true connection.” Sold.

The second talisman is a pendant bearing the experimental image. She promises, “I will awaken something within you.” I’m not sure if this will be a new passion or a new fetish, but … I’d take her at her word.

The third talisman is a pendant and she promises, “I will help you find family.”

The fourth talisman is a pendant and she promises, “I grant grace and bring friendship.”

The fifth talisman, bearing the experimental image, is meant to be strung on prayer beads. She promises, “I offer all the blessings of Venus.” SOLD

A FEW CONCLUDING THOUGHTS

Between various mundane and magical exertions, I collapsed both physically and emotionally after these elections, and was not able to complete and polish these pieces until the last few days. I got them clean and free of the sprue during the Night Hour of Venus on Friday the 10th. I polished and communed with them on at the night hours of Venus on Wednesday, Thursday, and Friday of this week. Having now done these spirits their due honors, I am feeling much better … though that may be confusing causalities.

It is also worth noting that while my divination indicated that these would be good elections for me and my customers – possibly owing to my unique relationship with Venusian powers – two of the astrologers I follow and respect made a point of not taking advantage of these elections: they considered the Uranian influence too destabilizing. Certainly these are not talismans for someone hoping to stabilize existing relationships. But I’m glad that I made them, and I think that whoever takes them home will be glad that they did so. The ideal recipients of these talismans are queer magicians with passions for the arts.

In art, witchcraft

From the Sorcerer’s Workbench: Consecrated Jupiter Talismans

Author Satyr MagosPosted on

{This post is condensed from several posts originally shared only with my Patreon supporters. To get first dibs on elected talismans like these, or even just to read about them first, please support me at the $1 Seeker level or above.}

Hail to the King, my friends.

Specifically, hail to Jupiter in Pisces. The Greater Benefic in his domicile, gracing the ascendant.

There were three such elections in February, as identifited by Nina Grypon (I buy her monthly elections newsletter from her website, and you should too.) I caught the first two, and will talk about that in detail in a later post, but I did not manage to catch the third. Somehow the day before got away from me and I did not get the wax positives invested and into the kiln in time. I’m a little frustrated with myself, but in the end it’s probably for the best. I was already tired from the work I had done so far, and while I did end up claiming two of the talismans for myself, I had not taken any time to petition Jupiter directly. And, as a newly independent artist, I definitely think that time was well spent.

It’s been just over a month since the last election and my own material results are starting to come in. I’ve seen a 30% follower growth in some of my social media and what feels like much greater engagement (I don’t pay for tracking, so I can’t give a number). This month’s sales have definitely gone up over last month’s, and I’ve even had someone reach out about teaching services that I don’t currently offer. I am also continuing to experience the secondary effects of big magic – erratic sleep and vivid dreams and as much high weirdness as is possible given that I am respecting the pandemic and staying home.

All the talismans are made with my signature Picatrix Image of Jupiter talisman (which is getting a post all its own in the next weeks), based on the following passage: “The image of Jupiter, according to the opinion of Picatrix, is the shape of a man with a leonine face and the feet of a bird; beneath his feet he is holding a dragon that has seven heads, and in his right hand he holds a dart as if he wished to throw it at the head of the dragon.” Picatrix Book II, Paragraph 16 (Attrell and Porecca, 2019)

I chose to make the talismans in shibuichi (a 3:1 copper:silver art metal alloy, whose name comes from Japanese (literally “one in four”) under the guidance of my familiar spirits, knowing that silver is attributed to Jupiter by Agrippa, and set Jovial stones in the curl of the serpent’s tail.

All the talismans were conjured using alternating invocations of the Orphic Hymn to Zeus (Athanasakis translation) and the Picatrix Inovacation of Jupiter (Greer and Warnock, as presented in a election pamphlet shared in 2012). The spirits were invoked to provide “unblemished health, … divine peace and riches, [and] glory without blame.” and to “grant us wisdom, prosperity, success, help us be happy, healthy, and safe.” Additionally, each offered a specialty as I was cleaning and polishing it.

Each talisman has been packed with a small quantity of the incense used it its consecration.

Patreon supporters got first dibs. I listed them publicly on Etsy on Thursday 3 March. I meant to talk about them here sooner, but I am still getting back into the habit of blogging, and I apologize for that. So far only one has been claimed (not counting the two I kept for myself). As the talismans are claimed, I will continue to mark them off.

So, then, I have the two cohorts of spirits/talismans:

First Cohort

The first batch of talismans was cast on the 2ndof February with Jupiter just past the ascendant. The talismans were cast and consecrated with the sapphires in place. The sapphires are rough Yogo sapphires mined in Montana.

The talismans were then cleaned, polished, and interviewed for names and sigils – which may not be the names and sigils they wish their proper owner to use, but provide a point of contact – during subsequent Jupiter hours throughout the following week.

I am selling each of these for $430, including shipping.

The first talisman is a pendant, and he promises, “I bring that which you desire.” He one feels like a wild ride, definitely spicier than I’m in the mood for, but definitely exactly what someone needs.

The next talisman is a pendant, and they promise, “I teach happiness.” This talisman had a super chill vibe.

The next talisman spirit is a coin, and they promise, “I teach peace and bring prosperity.”

The final talisman is a pendant, and they promise, “I teach discernment.” I think this one will be a very good friend to someone.

Second Cohort

The second batch of talismans were cast on the 7thof February. This election I timed more perfectly, and I threw the cast as Jupiter was precisely conjoined to the ascendant. These talismans were set with emeralds from one of my mundane jewelry suppliers – A grade, cloudy but beautiful green, visually stunning in the shibuichi setting.

The talismans were cleaned and polished, and the stones set, then interviewed for names and sigils in subsequent hours of Jupiter throughout the week.

I am selling each of these for $598, including shipping.

This talisman spirit a pendant, and she promises, “I will keep you happy, healthy, and safe.”

The next talisman spirit is meant to be strung on prayer beads like a rosary. She promises, “I bring riches and teach mysteries.” I suspect she will need to be pampered and courted, but that the effort will be worth your while.

The final talisman spirit is a pendant, and he promises, “I bring victory and justice.” This one spicy.

Attunement.

Upon receipt of your consecrated talisman, you will need to perform an attunement ritual. Lacking guidance from the spirit, themselves, or your own traditions and familiars, I recommend the following:

Mix up a batch of Jupiterian incense in advance. Secure a brazier and charcoal. Wait until the next available day and hour of Jupiter (dawn is ideal, but not necessary) before opening the envelope with your talisman.

In the hour before you perform your ritual, set up your ritual space as needed. Prepare an appropriate libation for your tradition, I use coffee and/or wine.

At the appointed time, cleanse and consecrate your space in accordance with your tradition. Open the envelope (careful not to make a mess with the included incense) and set the talisman on your altar. Burn the included incense on your charcoal brazer. As you do so, introduce yourself to the talisman and spirit. Tell it what you want it to accomplish for you. Ask it if it has a different name and sigil that it would like you to invoke it by. Negotiate as necessary. Repeat daily or weekly as needed until you and the spirit have come to an agreement.

My first several talismans took months to a year to really settle into my life. The more recent ones have started talking to me in days. Be prepared for swift results, but do not expect them.

In art, scholarship

From the Sorcerer’s Workbench: The Attic Gorgon

Author Satyr MagosPosted on

The Attic Gorgon is one of the handful of designs that launched the Sorcerer’s Workbench, and was not only my first design to sell, but my first piece to sell again: first, directly off my body at Paganicon 2019, and then to someone I had met at that event a month or two later. It remains one of my best sellers to this day, and it is one of my favorite designs.

That last is no surprise. I have long been fascinated by the image of Medusa and the gorgons. Looking back, I can’t quite remember an inciting incident, so to speak – my first encounter was almost certainly Wrath of the Titans (1981), but what I remember most from that movie is actually the owl. My own earliest art that I can find on the subject was from around 2008, but by that time I clearly already had a fully internalized image. That image, of course, was most deeply influenced by Renaissance and modern images: a beautiful woman, her face surrounded by coiling serpents, draped in clinging gauze. A lot has changed since those early days, including my Bachelor’s degree in Classical Studies, and while I do still want to do a design based on that more modern image, I knew from the jump that I wanted my first Gorgon talisman to be in the Classical style.

The traditional name for the design is “Gorgoneion” which, to the best of my ability to discern, renders approximately as “Gorgon-image” or “Gorgon-thing”. It is apotropaic: meant to protect by frightening away evil spirits. It was a popular, even ubiquitous, design in the Hellenic world of Classical Greece, seen on temples and shields and pottery and jewelry and … well, you get the idea. When I went to make my own, I looked to a variety of ancient sources, ultimately settling on a particular piece of pottery.  

But with that image in place, we have to ask the question – where does that image come from?

No Greek myth has a single point of origin. Every story is a palimpsest: a mess of layer upon layer upon layer, each written over the other, which has been imperfectly removed from the vellum below. So we, as modern witches, sorcerers, neo-Hellenics, and mythographers, sift through those layers as best we can, picking and choosing the versions that bring us the most meaning.

Medusa and the Gorgons are no exception. When I look at the image of the Gorgoneion, fanged and bearded and serpent-tressed, I do not see the victim Ovid salivated over: raped by Neptune, cursed and transfigured by Minerva, murdered by Perseus. I see the youngest of three monstrous sisters, the lone mortal, daughters of either the sea monsters Keto and Phorkys, or of Keto and the elder Gorgon, Aix who was killed that Zeus might wear their hide as his aegis.

The very title “gorgon” means simply “terrible” or “fierce”. The three Gorgon sisters were Medusa, Sthenno, and Euryale, and our oldest written account of them comes from Hesiod’s Theogony 270 ff (trans. Evelyn-White) (Greek epic C8th or C7th B.C.) : “And to Phorkys (Phorcys) Keto (Ceto) bore … the Gorgones (Gorgons) who, beyond the famous stream of Okeanos (Oceanus), live in the utmost place toward night, by the singing Hesperides : they are Sthenno, Euryale, and Medousa (Medusa), whose fate is a sad one, for she was mortal, but the other two immortal and ageless both alike.”

Homer, a littler earlier than Hesiod, mentions a single “Gorgo” whose head and/or hide are used for the aegis of Zeus and Athena. Hyginus, a 2ndC CE author, reconciles these stories by naming that elder Gorgo Aix and naming them parent of the gorgon sisters. This last is my personal favorite, despite the late date (longtime readers and close friends know how strongly I favor older versions of everything, particularly predating the questionable urge to justify the behavior of gods as good).

The image itself springs onto the just a little before, emerging in its persistent form at the beginning of the 8th Century BCE. Some scholars trace it back to Knossos. A few – sadly, mostly discredited – attempt to trace it back much further, to the mythical neolithic goddess cults. But the image was more detailed, more complex than those earliest stories, and I think that the Gorgoneion is a fair exemplar of the movement from image to ritual to myth.

I will never be fully comfortable with the stories that surround the image of the Gorgoneion. That terrible defensive power, stollen and weaponized by the “civilizing” influence of father gods and heroic men. Ovid’s rape-and-transformation fantasy is only the most vile and explicit expression of that theme. Looking at the image, whether Attic or Renaissance, I see the same terrible beauty and power that drove Second Wave Feminists to invent their own mythologies, empowering Medusa and the gorgons as slandered goddesses, or reframing Athena’s curse as a defense against further injury.

But I return, again and again, to that face: a goddess whose image the gods themselves use to turn away evil. A goddess born of the monsters of the elder world. A goddess whose sisters live on.

I wear my own Gorgoneiai every day. I have one that lives on my keychain. I have another that I hang from the front of my face masks in this age of plague and fools.

Between different metals and fixtures, there are more than a dozen unique variations, but there are two basic designs: one sided, with a textured back; and two sided, with the names Medusa, Sthenno, and Euryale on the back.

Attic Gorgon Sterling Silver Pendant Protection Talisman | Etsy

Attic Gorgon Two-sided Protection Talisman | Etsy