

The image of Venus, according to the opinion of the wise Apollonius, is the shape of a woman standing on her feet and holding an apple in her right hand. This is her shape.
– Picatrix Bk 2, Ch 10, Para. 26 trans. Attrell & Parecca
Modern magicians overwhelmingly use Venus to bring love, and that is absolutely in her wheelhouse: “Entreat Venus for the union of desires, the power of causing joy and friendship, driving out idleness and grief, for invigorating the appetite, augmenting procreation, multiplying sons, extinguishing fires, and remaining secure from animals.” (Book 4 Chapter 4 Para 8)
She also governs the arts: “She governs an aspect toward grammar, the art of poetic meter, sounds, and songs. … From the crafts, she governs all the skills of painting, illustrating, selling perfumes, playing instruments pleasantly, singing, dancing, and producing harmonies with instruments.” (Book 3 Chapter 1 Para 7)
My first astrological image of 2026, and my sixth of seven images “according to Apollonius. I’m really very pleased with how it’s turned out. I love her facial features, and the texture I was able to convey in her hair. I think I did a great job of making her fat and hot.
Even more than my other planetary images, it’s important to me as a politically conscious artist that at least one of my images of Venus be explicitly Black. When I picked Venus as my next Apollonian image to finish, I decided that there was no time like the present. I had originally wanted her costume to be much more clearly African-inspired, but I struggled to find inspirational images attatched to such basic information as, “who and where in Africa designed or wore or wears this”. So for this image I settled on a big cloth that reads somewhere in between a Hellenistic himation, in line with the vaguely Graeco-Roman vibes of most of my images, and the wrapped cloth I’ve seen both tribal and urban Ghanans wear. If I ever do this in color, the cloth will be bright yellow-orange and have my best simplified approximation of the vivid, intricate, and colorful patterns for which West Africans, in particular, are known. I wish I knew how to better convey Black skin in a black-and-white image, like this. That’s obviously going on the research list, along with traditional and modern African fashions.
I might go back and dial up the details and the shading, but my hands hurt like fire and I’m really, really pleased with this as-is.






