Orphic Hymns to the Sun: Translations in Action

A great deal of the current work being done with planetary magic right now relies heavily on the use of the Orphic Hymns, chiefly the 18th century translations by Thomas Taylor.  Long-time readers may recall that I am uncomfortable with those translations, and have argued that the more recent and more accurate translations of Apostolos Athanassakis be used instead.  It was not only inevitable, then, but entirely by design that my first week of conjurations put these two translations back-to-back to see what differences might be discerned in their efficacy.

For those magicians who are not also ancient language geeks (how have I not bored you to death?), the gist of it is that the Ancient Greek in which the Orphic Hymns were composed was written in meter rather than rhyme, and hammering the verses into a simple English rhyme-scheme takes some serious torture.  Also, archaeology is amazing, and we know more about the languages of Hellenistic Greece today than Taylor did, so some of his mistakes may be rooted in bad dictionaries.  Some magicians, equally if not more geeky and educated as I, believe that the Taylor translations work better magically for all sorts of reasons, but I ride this hobby horse to hell, regardless.

Taylor’s rhyming cant does, I must concede, a certain something for the brain of the English speaking magician.  We have this whole thing with magic and rhyme, and any good Chaos magician knows how valuable it is to tap into that sort of unconscious power source.  Moveover, between their ready (and free) availability, and the work of Rufus Opus (among others), the Taylor translations of the Hymns are explicitly tied to the planetary rites of the modern Western magical tradition.  All this goes to say that when I used the Thomas Taylor translation of the Hymn to the Sun, by itself, as a part of RO’s Seven Spheres rite, and as a part of conjurations of my own design, I already knew something of what to expect.

The warmth of the Sun responds readily to the hymn, and one may ride that way direct to the planetary current, and the Archangel Michael or the Titan god Helios respond equally readily to accept the offerings laid out before them.

The translations of Apostolos Athanassakis are aimed at the casual enthusiast as much as the professional Classicist, so they are not as sharp-edged as some might fear — the pages are unmarred by indications of broken text in the original, or annotation regarding the academic infighting of one translation versus another.  Moreover, in the particular case of the Hymn to Helios, the differences between the two translations are much less stark and more stylistical than other Orphic Hymns.

The Sun that responded to Aradia and I when we called by this hymn, both by itself and as a part of the Seven Spheres rite, was startlingly different from that which answered to the Taylor translation.  It was tarnished, or perhaps brazen rather than gold.  It was older, more aloof, more … Titanic.  Aradia described the experience as having used a back door to the sun.

It was the Athanassakis translation of the Orphic Hymn to Helios, substituted for Taylor in the Seven Spheres rite, which produced my most vivid experience of the experiment so far: the sensation of having ascended to an old, cooling, and abandoned region of the Sun, and of being observed by a vast red-gold eye, the size of a planet, staring widely at my from within an almost understandably vast head.

 

Gearing Up To Lick the Socket Again

I am a terrible Chaos magician.

I mean, I make really, really pretty sigils.  (That whole “life dedicated to art” thing.)  And I think I get better-than-average results from them —  as much as one can say so without comparing notes on a level that very few of us are able to keep, let alone willing to show them off.  My one and only servitor has been … odd, but effective, and has been protecting my home for nearly three years running.

But I am terrible at code-switching.  When I dig into a paradigm, I can’t help but let it get under my skin.  As I do more and more of the magic, it sinks into my bones.  I can’t put it back down just like that. Read More

Image of the Moon

Image of the Moon
Image of the Moon

Image of the Moon as she appeared to me in February of 2015.

A feminine figure on a black field, a blue-lined purple cloak hangs from her shoulders.  She holds a bowl in one hand and a stang in the other.  She is crowned, and broad horns extend from the sides of her head.  Her face bears three eyes, and two more stare from each of her horns.

When Aradia and I conjured the Moon at the end of our cycle, I had no idea how the archangel Gabriel might appear to me. After all, Michael had appeared to me as the most femme Sun I had ever seen.  That the archangel appeared to me in the guise of the Witches’ Goddess, then, was not unsurprising … but neither was it expected.

Image of Mercury

Image of Mercury
Image of Mercury

Image of Mercury as he appeared to me in February of 2015

A yellow-orange figure with wings sprouting from his head.  He has large orange eyes which his orange helmet cannot contain.  His arms are held tight to his body, one hand clutches a book and the other is open like a claw.  A billowing garment hangs from his waist, concealing one leg, the other boasts a winged ankle.

This image was at once one of the  most clear and one of the least surprising: active, winged, and helmed, he strongly resembles many traditional images of Mercury and Hermes, though he lacks the Caduceus.

Failure to Bind

More than a year ago I wrote a somewhat theoretical post about applied feminist ethics in witchcraft.  It was, of course, not all that theoretical.  Someone that I had, until that point, considered a friend had stalked anohter friend of mine home from a party and violated zir personal space in a few ways.  The creeped-on friend, however, did not want a scene made, which prevented me from summarily barring the creeper from my social circle.  What I could and did do, however, was attempt to bind the creeper from further infringing on my friend’s boundaries.

I drew a sigil, called upon my familiar spirits and the spirits of Saturn and Venus, and arranged for the person in question to drink a series of toasts that had been poured over the sigil.  A couple other people from the social circle were there as well, which was not strictly ethical, but seemed … necessary and appropriate, and it was what my Genius and Daemon had led me to do.

SCAN0003

My binding worked, in one sense.  To the best of my knowledge, the creeper in question never infringed upon my friend again.  In another sense, it failed utterly.  Zie went on, instead, to assault someone else.  In full view of one of the others who had been present at the binding toast, actually, which is … interesting.

Divination indicated that I should not, at that point, escalate: that all would be taken care of behind the curtain.  And by divination, I mean my tarot cards and the VERY LOUD YELLING of the very many spirits who at that point were hanging about my temple.

Doubt lingers, of course, to this very day.  What could and should I have done differently?  I was constrained in mundane action in both the initial instance and the subsequent by the wishes of the victims.  How could I stand by and NOT smite zir into the dark depths of the earth–except that it was made very clear to me that further attempts at intervention would only go awry?

I’m not even certain why I’m telling this story except, in a new life in a new Temple, it’s past time to burn the original sigil, but I wanted archival evidence of the results.And in the hopes that someone reading this has productive thoughts on how such a situation could be handled better in the future.  Because neo-Pagan sexual mores often make a highly effective smokescreen for mainstream rape culture, and there will be a next time.

Gandalf Style?

Gandalf Style?
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Dramatic lighting is my friend.

Last week’s Sexy Pagan Friday offering is as good a place as ever to start off a little rambling about what has probably been my most significant magical practice since returning to KCMO.

Most of my effort, magical and otherwise, has been devoted toward settling in: to establishing my space, and to being in the right place at the right time.  Notice all the green in that photo: my hat, my scarf, my pocket handkerchief, the shirt you really can’t see because I got super dramatic with the lighting, and even my fucking socks are green.  Zip back through my last few spf posts, and you’ll find a shit ton of green in them, too.

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Saturdays I dress in black. The purple tie is usually for Mondays, but I was just feeling extra fabulous last week.

Taking a cue from Aradia, who did this diligently before she quit her office job back in June, I’ve been incorporating planetary colors into my clothing as much as possible.  (Wednesday is a fucking challenge: I look absurd in orange, which basically leaves me shit out of luck.)  It’s a simple, mindful thing, rather than an act of overt magic, but it’s something.  (Mondays are my favorite because purple.)

This also goes back to something I’ve touched on before: crafting a new image for myself as I become too old–and too committed to “professional” life–to let my freak flag fly full time.  Since then I’ve learned that I receive very different from both the mallgoers who patronize my jewelry store and the coworkers who’ve known me for six fucking years now when I wear a tie and nice shoes.  Simply put, they take me more seriously.   (This, of course, should come as a surprise to no one.)

And, I will say, it sure helps that men’s fashion has gone in some pretty awesome directions since I made this decision.  Vests are seriously back in style.  Colors and patterns are vibrant and fun.  And pocket squares!

It’s difficult to gauge the efficacy of general prosperity magic–yeah, I’m doing pretty alright, but I’m also busting my ass–but judging by the ways in which I do seem, increasingly, to be in the right place at the right time, I believe that I can call the experiment, at worst, a moderate success.  The things I want to buy are on sale and in my size, I sit down at the right table to meet close friends of the hosts of open events, people respond to my messages on OKC, the art store has a shipment of the strange craft supplies I’m after in the deep discount corner of the basement.

I want to escalate this shit.  I bet I can make a talisman out of a tie or a pocket square.  Can you enchant a suit?  I’ll fucking find out!  (And you can’t tell me no one has never tried.  The question is, did they blog about it?)

John Fucking Constantine
Solid character. Not a role model.

But it kinda fucks with my head.  I mean, yes, these are magical successes, in a sense, and I am having a good time with it.  But it’s all so fucking butch.  I no longer fit my own image of a witch, or even a wizard or a sorcerer.  I mean, there’s some precedent for a magician playing the straight man… but being a magician did some fucked up shit to my head: Aradia was preparing to stage an intervention.

The realistic solution is probably to get better at code switching: taking off the work costumes as soon as I get home and putting on clothes that are more in line with my self-image; finding times and places where those clothes are more appropriate.

And keep doing magic.

Always do more magic.

 

Orphic Hymns: Taylor vs. Athanassakis

English: Orpheus
English: Orpheus (Photo credit: Wikipedia)

Classicist Apostolos Athanassakis recently released a new edition of his English translations of the Orphic hymns—previously released in the 1970s and, to the best of my ability to determine, the first new translation since Thomas Taylor’s in 1792.  I’ve been going over the hymns and notes for the last month, and using the hymns in my rituals for the last two weeks.  I must admit, that I’ve been rather surprised by the results.

Firstly, the Athanassakis translation is every bit as different from the Taylor as I would have imagined: no anachronistic rhyming couplets, no 18th century euphemisms or evasions, no substitutions of Roman names for Greek.  Because Classical scholarship has come a long way in the last two hundred years, I do not hesitate to assert that the translations are more accurate for reasons other than the brutal mangling needed to turn Koine iambic hexameter into English rhyming couplets.  And, to my delight, my own translation of the Hymn to Phanes ends up looking pretty solid.

For worship of the Hellenic gods, the new translation is by far superior: epithets are better preserved, and Athanassakis pointedly maintained what he felt to be the religious feel of the texts.  Dionysus, Phanes/Eros, Hermes, and Aphrodite have all responded well in my private rites.

For in/evocation of the Planetary powers, however, and to my extreme surprise, I have found the Taylor translations to yield much better results.  This is partly because, however I may despise them aesthetically, rhyming couplets make great magic.  This may also be partly because the Taylor translations have been so thoroughly incorporated into the Hermetic tradition, and thus provide better access to that magical current.  Further, the actual textual differences between the texts(coincidentally or otherwise) align the Taylor translation more closely with the Planetary powers than with the divine mythology.

Thus, while I must strongly advocate that any Hellenic-flavored neo-Pagan invest in the Athanassakis translation, as well as anyone with a scholarly interest in the hymns, ceremonial magicians have no need to do so.

Weekly Sigils Shoals

IMG_5601Since coming back to Indiana for the Spring semester, I have fired a shoal of sigils every week.  The idea is that doing practical, results-oriented magic on a regular basis will, a) improve my mad magic skilz in a practice-makes-perfect sort of way; b) force me to be more creative with my sigil-making and sigil-launching techniques lest boredom undo my Will; c) proivide me with raw data for deterring IMG_5602which desires and which techniques go well together; and, finally, d) result in improved efficacy of any technique I might employ, as the universe becomes accustomed to bending to my will.

So far, the project has been going well.  My “target” is a shoal of three to six sigils every IMG_5608Sunday morning, as part of my regular offering schedule.  So far I have not actually made that target: half my launches have been Sunday afternoon or evening, the other half on Monday nights.  Still: that’s progress.

The first week’s sigils were all aimed at personal outcomes: memory and discipline.  The second were social: still trying to engineer myself a new lover here in Indiana.  (High standards, highly specific notions of consent, a complicated life story, and an overabundance of undesirable near-misses make that more difficult than it might otherwise be.).  The third were aimed at memory and discipline again: being where and when I say I’ll be, and getting my assignments done on time.  The first two sets were done in what has become my most frequently employed method: drawing the sigils on a notecard and chanting “It is my will” at them until they get fuzzy.  The third week was done using a freshly-consecrated mirror as a launching platform.  That seemed to work very well, actually.

2013-02-10_11-19-41_167This week’s Work, however, had a different target which required an entirely different approach.  My parents are embroiled in an inheritance dispute.  Frankly, I should have intervened months ago, but it’s an adequately messy situation that, without any real brilliant inspiration as to how to intervene, I was more 2013-02-10_12-12-30_384than a little afraid of collateral damage.  Having been struck by a bit of that much-needed inspiration, though, what you see to the right are sigils drawn with planetary Kamea and empowered at the appropriate planetary hours this past Sunday.  Basically, I dropped Saturn and Jupiter on the matter, by the logic that the two celestial god-kings were the best way to bring a legal dispute to a close.

Results, so far, have been mixed.  My social and discipline sigils have been slow to manifest.  Perhaps my chaos sigilization technique needs work.  Perhaps it’s my launch technique.  Or maybe I just need a bigger lever to fight my own nature.  This Sunday’s planetary sigils, however, have already manifested: the situation has shifted from the lawyer saying “they should sign the paperwork soon” to the bank saying “the check is in the mail”.

Icepick Initiation into Hermetics

The Ptolemaic geocentric model of the Universe...
The Ptolemaic geocentric model of the Universe according to the Portuguese cosmographer and cartographer Bartolomeu Velho (Bibliothèque Nationale de France, Paris). (Photo credit: Wikipedia)

I have just completed three consecutive weeks of daily planetary conjurations, two of those weeks overlapping with the two phases of Rufus Opus’ Seven Sphere in Seven Days challenge. The results included several visions of the Planetary realms and a ridiculous boost in personal power, and culminated in the ability evoke planetary forces at will … and my first magic-induced migraine since I recovered from my blown a gasket eight years ago. Ultimately, it seems to have served as an initiatory culmination of last year’s ceremonial study.

When Rufus Opus made his challenge, I was already on my third day of planetary rituals prompted by my spirit-allies. Although that first Jupiter conjuration was relativity weak, things escalated quickly. I could see the group current flowing across the sky as I did my work, and I bathed in it. I caught glimpses of the Planetary Realms of the Sun, Mars and Mercury—powers I had not touched so successfully or so formally, if at all. I received ritual instructions from Saturn, and built on my relationship with the powers of the Moon.

The group took a break between Phases I and II of the work, but I continued in between: making my first foray into the Planetary realm of Venus and receiving further instructions on how to perform my conjurations even better—most significantly an upgrade for my Circle of Art and Triangle of Conjuration.

When Phase II began, I was rewarded with a powerful Solar initiatory experience—less than apotheosis, but more than dismemberment. Then the tone changed radically. Although I was able to make contact with each of the Planetary powers in turn, the effects felt anticlimactic after the visionary drama of the week before. I could certainly still feel each planet’s influence—in fact, I could feel it continuing to build throughout the day, particularly as the First Hour of Day passed from the Eastern time zone into Centeral, and as the Third Hour of Night came around. It was at this point that I found the discussion group on facebook to be particularly helpful, as others were able to point out technical differences between Phase I and II that I had not been able to perceive, and to confirm that I was not alone in this particular manifestation of effects They also reminded me that, within the Hermetic frame, the planetary powers are not so much places or forces (as I usually concieve them) but refracted lights emanating from God. RO, in particular, suggested that I take some time to look inward at the changes going on within my sphere; doing so revealed that, by Thursday evening, I had tapped into far more planetary power than I had realized.

Saturday, though, I went over the cliff. My final ritual left me filled with black light and white light. I bumped up against the edge of something, the limit of Saturn, and when I came back to my body full of that bi-colored light, I saw a six-winged figure looming over the current. Things have been quiet on the board and in those corners of the blogosphere since the project finished, and I think that whatever I caught a glimpse of (Iophiel?) might have borked some brains that got a better look.

As usual, I had performed my rites at the First Hour. Within a few hours, my head started to hurt. I thought it was psychic feedback from lunch on campus: things were a little strange over the weekend in the wake of a tragic accident involving several students. Come the Eighth Hour, though, the pain had escalated to the point where I could no longer function well enough to run the errands necessary for my birthday party. Fortunately, Aradia—in town for the party—was driving and able to get me home, where I promptly collapsed into bed with a full-blown migraine headache.

Ninety minutes later, I felt up to taking some painkillers, and was finally coherent enough to put two and two together: the psychic weather—no matter how nasty a college campus can be—was not enough to lay me out like that. It was Saturn that had pushed me over the edge from “magicially manic” to “magical migraine”. Looking to my aura, I concluded that it was too densely packed: I separated out the planetary power—not wanting to ground it altogether—and pushed it out to the edges. That felt better, so I pushed the edges out further. The further I pushed, the better I felt. When my aura was bigger than campus and the surrounding college-owned student ghetto, the pain was finally manageable. It finally disappeared about the time I pushed out to the city limits. That sort of “coverage” is unsustainable, of course, but the pain did not return as my aura deflated over the course of the evening.

The final Saturn ritual brought with it a sense of finality. Whatever it is that my spirit friends wanted me to get out of daily planetary rites … I’ve gotten. I can now channel planetary power at will, just as I can elemental power, though I’m still struggling with the personal consequences of hot-and-cold-running-Venus (just as a for instance), and half a week later, I’m still struggling to maintain my aura at a reasonable level. There have been no new migraines, but my energy level has been up and down like an EKG and requires too-frequent “maintenance”.

Clearly I had some unfinished business with the planetary powers that I began working with during the ceremonial experiment. That’s been fixed: I have now received my first initiation in the seven Planetary Powers, complete with dissolution, crippling agony, and even some ἱερῳ ἀναμιγνομενος. And I’ve also just been handed a brutal reminder of what happens when I let my magical practice get too high-octane.

So I’m taking a short hiatus from magic: doing just enough to keep from setting off the cold-turkey migraine. My Dark Moon rites have so far been minimal. I’m going to get back into more “pure” Chaos Magic pretty soon here, but I am definitely not fucking around with any more Hermetics until Mercury goes direct again.

But, before I fall further down the NaNoWriMo rabbit hole for a few days, I want to thank Rufus Opus and everyone in the Seven Spheres In Seven Days working group for the opportunity and the camaraderie. It was a mad ride, y’all, and I’m glad I didn’t do it alone. I know that I would have gotten even more out of it if I could afford RO’s Gates Rites (and I am not for a moment questioning that the years of practice that went into developing those rituals is worth $12 a pop: I just don’t have the scratch), or if I were capable of believing in the Ptolmaic/Hermetic cosmology as the Truth, not just aTruth. In the end, though, I got enough: initiated into Hermetics with a Solar immolation and Saturnian icepick to the brainpan.

SEMPER LVX

φως ἀθανατος

Τιερεσιας Σατυρος ὁ Μαγος

Getting One’s Hands Dirty

On Sunday, the fifth of November, I cast my first curse. In the Hour of Saturn, I called upon the forces of Saturn to empower a sigil aimed at securing Todd Akin’s defeat in Missouri, and asked them to see to it that the election brought Todd Akin’s political career to an end. While the latter point has yet to be seen, Clair McCaskil took the congressional seat last night.

The following hour, that of Jupiter, I called upon the forces of Jupiter to empower a sigil aimed at securing the presidential election for Barrak Obama. He won the presidency by an electoral landslide: 332 to 206.

Obviously, I cannot claim sole responsibility for these events. But I think that myself and those others enchanting for these outcomes definitely had an influence.

The inspiration for these rites came to me as I was performing my weekend devotions, after my very successful invocation of the Sun. I drew up the sigils, drafted them onto note cards and duplicated them on my maps (the state and world maps, respectively), and waited for the appropriate hour. At that hour, I painted the appropriate sigil, and called on the Planetary Powers using the Circle of Art I had drawn up the day before. I then chanted “it is my will” over the sigil and lit a candle. Upon so charging the sigils, I lit them in the candle, burned them in my cauldron, and pushed the energy out into the world through the sigils on the maps.

My first political enchantment and my first curse all in one. And plans to Hot-Foot Powder a professor I hate, but who teaches a class required for my major.

Yeah, this is my brain on Chaos Magic.

Much like the one time I stole from an employer, there’s a certain cold liberation in giving up the moral high ground. When you can never again make a claim to ethical purity, you have more freedom to decide what standards you want to live up to.

I describe myself as a “witch” in part because of the ambiguity of it. A witch is neither good nor evil, but somewhere in the middle … or both, simultaneously. And yet I hold myself to these insane ideals of ethical absolutism.

Don’t I keep saying that anything worth fighting for is worth fighting dirty for?

RO is always going on about how magicians are beyond ethics, beyond good and evil, because we can see further down the chains of events than mere mortals. On the one hand, this sounds like a lovely monotheist cop-out: “god is on my side, motherfuckers!” On the other hand, my Scorpio shadows whisper, “You do know you know better than they do. Do what must be done.”

I can’t decide if I feel dirty or powerful. Maybe a little bit of both.