Maeteria Magica: Talismanic Images

I have received a number of messages asking if my talismans are consecrated or made according to astrological timing. Overwhelmingly, they are not. I am not an astrologer, nor do I have the resources at this time to keep one on staff. There are advantages to this: firstly, astrologically timed and consecrated jewelry costs hundreds of dollars more than what I am charging; secondly, it leaves the owner of the talisman free to put the images to whatever purpose they want, with no interference on my part.

My talismans draw their power from the materials and images from which they are made, and from the consecration which is your responsibility to provide.

The Power of Maeteria

You can make a talisman out of literally anything. I have made phenomenally powerful talismans out of printed note cards, herbs, glue, and wax. Most of the talismans available on the internet are made of stainless steel, pewter, or pot metal. These are good enough for huge swaths of the community. They are certainly more affordable. I am offering something else.

I am offering fine talismanic jewelry made from pure copper, sterling silver, and 14kt yellow gold. As the shop grows, I will also be offering talismans with precious and semi-precious stones; ancient coins, arrowheads, and glass; and occasionally high-art found-object materials. Precious metals and stones take and hold magical energy better than anything; they make the best homes for the spirits you call and awaken. They are also — and this is arguably most important — really, really cool.

The Power of Images

The majority of my talismanic jewelry draws its power from either the images or the materials employed.

My Apotropaioi line — the Attic Gorgon, Humbaba, the Eye — are ancient protective symbols with no astrological associations or requirements that I am aware of. While they could certainly benefit from electional magic, they do not require it. The images themselves are tied to deep currents going back millenia, and need only be awakened and attuned to the owner.

Now, many of the traditional talismanic images do have astrological associations. While these pieces would benefit immensely from being crafted and/or consecrated in accordance with evectional timing, the images themselves have a powerful current of their own, and I do my best to tie the talismans to that current when I make them. Experimentation has proved to my satisfaction that while these talismans are not as powerful as those made in accordance with electional astrology, they are more powerful than those made of inferior material and without the current of the traditional image. They also grow more powerful over time through use and (re)consecration as opportunities arise.

Regarding Consecration

Because I am not crafting my talismans in accordance with electional astrology, and because I do not know most of my customers personally, it is my policy to do only a minimal consecration. I attune each piece to the currents associated with the images and materials from which it is made, making each piece more vessel than spirit. It is then up to the owner of the talisman to consecrate their piece in accordance with their own traditions of timing and rite.

I am a professional witch. I can perform the consecration for you. That service starts at an additional $50.

Electional Timing

I have every respect for the traditions of electional talisman consecration, and have used them to fantastic effect on a number of occasions. If and when I am made aware of an astrological election in sufficient time to use it to empower talismans, I will absolutely do so. Those limited-run pieces will be labeled and priced accordingly. If you know of such an election and would like me to help you take advantage of it, please give me at least two weeks notice in order to properly design the images, develop prototypes, and/or arrange for assistance with the casting and/or consecration. This service starts at and additional $100.

Grand Opening: the Sorcerer’s Workbench!

After more than a year of talking about it, and jokingly referring to my personal projects as having come “from the Sorcerer’s Workbench”, I soft-launched an etsy shop at the end of march. By the end of May, very much to my surprise, I had over $200 in sales. Clearly there is an interest in mid-range fine talismanic jewelry, and I am delighted to fill that niche.

Welcome, now, to the grand opening of the Sorcerer’s Workbench! I have a dozen designs already available for sale.

Some designs are based on traditional grimoires such as Agrippa, the Picatrix, and the Lesser Key of Solomon.

Others are inspired by modern grimoires such as the Hekataeon.

Still others are riffs on tradiditonal/folk/mythic images, or inspired by my own spirit contacts.

I also do custom work, designing images based on your needs and inspirations, and incorporating whatever gemstones and sigils you desire.

So, please: check out my shop, and hit me up if you have any questions or commissions!

Pride and Paganism 1/2: Dance for the Dead

It’s Pride Season, and that always puts me in a contemplative mood.

I guess I should start by saying that I was a late bloomer. I didn’t grok that I was bisexual until I was about 21 years old. In my defense, sex education and mainstream culture in the 1990s had left me with the impression that bisexuality was something that only existed in women (and let’s not even get started on all the transphobia that my genderqueer ass is still struggling to sort out). I didn’t go to my first Pride Parade 2007, after I moved to St. Louis, in part to come out of the closet. I didn’t have much experience with the community. I was still pretty fresh out of the closet, still pretty ignorant of most politics. 

It was a lot spectacle.  I took hundreds of pictures with my first digital camera, a ViviCam3705.  It meant a lot to me to go with the folks of BASL, to see and be seen.  I bought my first pride jewelry.  I had my first “what do you mean you want to have an actual conversation before I suck your dick” encounter with a gay man.  It was wild.

Fast forward a decade and change.  I haven’t been to a Pride festival or parade in years.  There are a lot of reasons for this.  Part of it is that I’ve always worked weekends — even in shops where not every jeweler worked Saturday and/or Sunday, I’ve found myself in the position of Weekend Jeweler.  Part of it is poverty — in Kansas City, unlike St. Louis, Pride is a ticketed event, and the venue they chose previously was one whose policies made bringing your own food and beverages difficult.  Part of it is my growing sensitivity to heat — I had made plans to meet my friends at Pride after work, last year, but heat exhaustion defeated me.

Part of it, though, is that I don’t like the direction Pride has taken.  I’m a history-minded queer, you know.  I know that the modern liberation movement began with a riot sparked by police brutality.  I know that many of the first Pride festivals were Gay-Ins — massive displays of public queer affection meant to confront, shock, outrage.  It wasn’t that long ago that half the states in the country passed constitutional amendments in “Defense of Marriage“.  You can still be fired or murdered anywhere and everywhere in the country for being too visibly queer (particularly if you’re a woman of color).

So it bothers me that Pride events have been taken over by corporations that profit off queer trauma survivors’ and queer youth’s abuse of alcohol (without doing anything for the movement besides some PR stunts and HR handwringing).  It bothers me that people are advocating for larger police presences at Pride festivals and parades.  It bothers me that, in most parts of the country, Gay Liberation (a phrase that, when it was coined, was every bit as radical and frightening as queer anything) has become LGb(t) Assimilation.

And yet … cops whinging to be included in Pride parades is an improvement over clockwork raids of gay bars.  Corporate sponsorship / takeover of Pride festivals is better than every single queer knowing that his, her, or their job was at stake if anyone, ever, found out.  Assimilationism is better than countless lives swallowed by sham marriages.  But … those aren’t the only options, are they?

I oppose the institutions of marriage and military service.  And,  yet, I demanded an end to Don’t Ask, Don’t Tell because, so long as the institution of the military exists, it’s better that queers be allowed full participation.  I demanded Marriage Equality for the same reason.  Being able to imagine a better world does not mean we cannot or should not celebrate victories in this one.

Unlike marriage and the military, Pride is not an institution with roots in previous civilizations.  Pride is a late 20th Century bid for revolution.  The Gay Liberation Front, formed mid-riot, was as opposed to the Vietnam War and to poverty as it was to the oppression of queer people.  Thus, marriage be damned, Pride’s assimilation by mainstream capitalist and imperial forces is a betrayal of its own roots — a clear case of winning a few battles while ultimately losing the war.

I don’t have any answers here.  No thesis.  Just hard questions about goals, tactics, strategy.

Remember that the Nazis burned the library of Magnus Hirsfeld’s Institue for the Science of Sexuality, setting back sexual science and queer liberation by at least a hundred years.  Remember that in mid-19th century United States, the police systematically raided gay bars for fun and profit.  Remember that Reagan (and most USians) ignored the AIDS crisis for more than a decade, figuring that the queers deserved to die.

I dream of a better world, but I don’t know how to get there.

I believe in Pride.  The procession.  The pageantry.  The mad Dionysiac revel of it.  The seeing and being seen, our warts and asses (sometimes literally) on display beside our vital life and joy.  But it needs less Bacchanalia and more Sporagmos; fewer drunken satyrs, more maenads tearing blasphemers limb from limb.

When you dance for Pride, you dance for the dead.  Don’t let our murderers and their sympathizers turn a profit off of you.  Don’t let their successors use you as a public relations prop.

Announcing the Mark of the Wolf (Book of Secrets Vol. I)

 

When Margaret is attacked by what she believes to be a werewolf, her life is turned upside down. Confused and afraid, the only people she feels safe going to for help are the strange goth kids that everyone says are witches.

Dominic and Aaron are Pagans, not fools, and smell a trap. But Jacob insists they take her seriously. When they agree to help her, they – and all their friends – are swiftly drawn into a larger world of monsters and magic more dangerous than they had ever suspected was real.

This is the 90s nostalgia novel every queer and witchy horror fan as been waiting for.

After ten years of drafting and three years of editing, my debut novel is finally here.  The kindle edition is already out, and the paperback is coming very soon (shortly after the final print proof arrives on my doorstep, actually).  I’m diligently working on getting all the preorders out to my kickstarter backers.

The book (and the series to follow) and the world in which it is set are what I hope you will agree are an artful blend of genre tropes, folklore, the Western Mystery Tradition, and thematic innovation.  I think you, my readers and fellow occult nerds, will find it particularly interesting.  The characters will be painfully familiar to anyone who was practicing Witchcraft in the Midwest in the late 1990s.  The setting will be hilariously familiar to anyone who has spent any amount of time in Lawrence, KS.  And the story, I think, will be excitingly fresh to anyone who has spent any amount of time in the urban fantasy and occult horror genres.

Proof of Life

I am not dead.

I have not quit.  Well, not quit this, at any rate.

I apologize for my absence.  There have been shenanigans.  There has also been a great deal of artistic productivity.  I’ll be talking about the latter a lot.  It’s good stuff, y’all.  I’ll only be talking about the former a little, and that probably more than I should.

There’s also been a bit of magic, and I’m going to be talking about that almost as much as the art.  It’s been exciting and, wow, y’all, have I got some stories to tell.

 

Meditative Acts — Research #2: Candles

Aradia and I have been talking about making our own candles for a while now.  In particular, though not necessarily relevant to his conversation, we have some interesting ideas regarding Imbolc and Valentine’s Day and recycling candles to light new fires for the coming year.  So, when I started thinking about devotional meditations, in part inspired by folk saint rituals, it wasn’t much of a leap to DIYing the candles.

Candle making, at its basic, is simple.  You need wax, wicks, and a couple vessels.  A weight for the bottom of the wick is handy.  So’s a clip to hold the wick still while you pour the wax.  You need one vessel to melt the wax in, and another to pour the wax into.  You can add dies, scents, glitter, and a variety of other things to make end result prettier, the process more involved.  And I may do that as I get down the “don’t make a mess” part.

The wax and wicks arrived a couple weeks ago.  In my first test pour I discovered that while the vessels I have to pour the wax into – reused novena candle containers – work just fine, the vessel I have to melt the wax in and pour the wax from – a Pyrex measuring cup – is not quite as large as I need.  The larger wax melting vessel should arrive in the mail today, along with some wick clips just to make life a little easier.

When the wax has cooled, I’ll stick each candle with an image of the divinity to whom it’s being dedicated.  It should surprise y’all none that between my own art and what I’ve found on the internet, I have a lot of devotional to bring to the occasion.

I’m still trying to decide, from a ritual standpoint, whether it’s better to make the candles in advance and come into each week prepared, or to make making the candles the core of the ritual for the first night of each week.  From a logistics standpoint, obviously, it’s easier to make them in advance.  And the candle making doesn’t fit really well into the “meditative acts” frame of this months’ challenge.  I suddenly remember, though, that 4 weeks =/= 30 days.  There’s room for a prologue and an epilogue.  That day at the beginning gives me time to make a lot of candles and keep to framework I’ve already established.

Hymn to Baphomet

baphomet

A new hymn for a god/dess of witches, sorcerers, and madmen.

 

Hymn to Baphomet

Io Baphometos!

 

Strange god!  Gnostic god!

Creator and destroyer!

Friend to the alienated,

lover and beloved

of artists and magicians!

 

You who reconcile false dichotomies:

mortal and divine; man and woman;

human and animal; of the Earth and of the Air.

You are of the Dark Moon and the Light.

Solve et coagvla.

 

You are the Sabbatic goat!

Winged, and crowned in horn and flame,

sacred hermaphrodite;

Thyrsus and caduceus, thy tumescence.

You are the Mysteries made flesh.

 

O you Hidden One!

You are ancient yet unfinished!

You are many formed, many natured!

Panphage pangenitor!

You are All-Father, All-Mother, All-Lover!

 

Io Baphometos!

All hail Baphomet!